Arise and Rejoice: The Words I Speak Unto You, They Are Spirit and Life—Our Supreme Treasure, Heavenly Wealth, Unfailing Wisdom, and More Than Conquerors Victory Forever by Debbie Harris

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Arise, ye saints, and shout the victory cry!
The Holy Bible, blazing like the sun,
Outshines all gold, all crowns that mortals buy,
Our boundless treasure when the world is done.
No vault can hold what floods from every page—
Eternal riches, wisdom none can steal;
In Christ all treasures shine from age to age,
Our sword, our shield, our joy that wounds can heal.

The words I speak unto you, they are spirit and life—
Not empty breath, but thunder clothed in grace!
They shatter chains, they end the reign of strife,
And raise the fallen to a kingly place.
Rejoice! This Book our wealth, our wisdom, our might:
We conquer death—we live in endless light!

What Manner of Love Divine: From Dust Exalted and Crowned—Sons and Daughters, Royal Heirs Where Grace Abounds by Debbie Harris

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Inspired by 1 John 3:1–2 (KJV), the poem celebrates the astonishing, lavish love of the Father that transforms us from mere dust into His beloved sons and daughters. We are already adopted royal heirs, crowned with dignity and grace on earth today—children of God in the present, shining with divine light amid a world that does not recognize us. Though our full future glory (being like Him when we see Him face to face) remains veiled, the poem calls the heart to rise in holy awe, rejoicing in this eternal truth: from humble origins we are exalted, crowned as royal heirs where grace abounds forever.

1 John 3:1–2 (KJV)
Behold, what manner of love the Father hath bestowed upon us, that we should be called the sons of God: therefore the world knoweth us not, because it knew him not. Beloved, now are we the sons of God, and it doth not yet appear what we shall be: but we know that, when he shall appear, we shall be like him; for we shall see him as he is.

Behold! what manner of love divine
The Father hath lavished, boundless, free,
Upon our souls in mercy’s grand design—
That sons and daughters of God we should be!
And such we are—O mystery profound!
Adopted heirs to heaven’s royal throne,
No fleeting title, no uncertain sound,
But truth eternal, written, ever known.

Yet mark the world, in blindness wrapped and cold,
Knows us not, for it knew Him not of old;
Its darkened eyes cannot perceive the light
That shines in sons and daughters born of grace.
Beloved, we stand as royal children here,
On earth already claimed by heaven’s call—
Though what we yet shall be lies veiled from sight,
A glory hid within the sacred thrall.

But this we know with certainty most sure:
When He appears in splendor ever bright,
We shall be like Him, pure as heaven’s fire,
For face to face we’ll see our Lord in light.
Transformed, transfigured in that final dawn,
His likeness ours, His beauty ours to wear—
O rapturous hope! The veil shall soon be drawn,
And love’s full triumph crown us children there.

Rise, heart, and soar on wings of holy awe—
What love! What Father! What eternal call!
From dust exalted—sons and daughters crowned
As royal heirs on earth, where grace abounds!

Sealed and Indwelt: Breathing the Air That Raised the Dead by Debbie Harris

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The poem celebrates the believer’s complete spiritual wholeness through Christ’s finished work on the cross.

It declares that the old self fully died—there was no partial repair or improvement, but a decisive new creation born from resurrection power. God did not overlook any flaws; He made the believer entirely new, sealed, and complete, with no hidden defects or unfinished business.

The Holy Spirit is not a temporary visitor but a permanent resident, indwelling fully with the same life-giving power that raised Jesus. Growth in faith is natural evidence of this already-present life, not a sign of lingering brokenness—the believer grows from wholeness, not toward it.

The poem concludes by urging the reader to reject old accusations, lift their head in freedom, and embrace the joy of being fully accepted, loved, and indwelt by God in Christ. The final couplet affirms that in Him, the soul is unaccused and complete, with joy returning home.

In essence:
A triumphant declaration of identity—no longer broken, but wholly remade, secure, and alive in the finished work of Jesus.

No patch, no mend, no half-reborn estate—
The old self perished in the cross’s shade;
From death’s dark womb a new creation rose complete,
Not patched, but fashioned fresh by grace remade.

No hidden crack, no flaw the Father missed,
No overlooked defect in spirit’s frame;
He signed your birth with resurrection’s kiss,
And wrote you whole, unblemished in His name.

The Spirit dwells not as a passing guest,
But claims the house, with fire and peace entwined;
The same great wind that rolled the stone to rest
Now breathes within, your soul forever signed.

So lift your head—let accusations fall like leaves;
In Christ you’re whole; joy knows your name, believe,

The Drowsy Watch; Or, The Church’s Slumber and the Roaring Lion’s Unseen Advance An Exhortation (More modern format) by Debbie Harris

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The poem is a passionate, prophetic exhortation in verse, warning the church against spiritual complacency and deception. It laments how an overemphasis on non-judgmental “tolerance” has become a protective excuse that blinds believers to false teachers and infiltrators—described as wolves in sheep’s clothing—who subtly undermine the faithful from within. Drawing on biblical imagery, it criticizes the lukewarm, half-hearted faith that drowsily occupies pews, failing to burn brightly or resist evil, while Satan actively prowls. The poem urgently calls sleepers to awaken, shake off lethargy, discern truth from deception, reject compromise, and reclaim vigilant faithfulness before it’s too late. It concludes with a sobering yet hopeful note: mercy still lingers for the repentant, but judgment approaches, and only the watchful will enter the open door of grace. Written in rhythmic quatrains with an ABAB rhyme scheme and mostly iambic tetrameter, it echoes the style of traditional hymns while delivering a timely, convicting revivalist message.

Matthew 7:15
Beware of false prophets, who come to you in sheep’s clothing, but inwardly they are ravenous wolves.

Revelation 3:15–16
I know your deeds, that you are neither cold nor hot. I wish you were either one or the other! So, because you are lukewarm—neither hot nor cold—I am about to spit you out of my mouth.”

Ephesians 5:14
Wake up, sleeper, rise from the dead, and Christ will shine on you.”

Romans 13:11
And do this, understanding the present time: The hour has already come for you to wake up from your slumber, because our salvation is nearer now than when we first believed.

Revelation 3:8, 20
See, I have placed before you an open door that no one can shut… Here I am! I stand at the door and knock. If anyone hears my voice and opens the door, I will come in…

We’ve softly cried, “Let none presume to judge,”
Till tolerance became our shielding grudge—
A veil that blinds us to the cunning art
Of foes who mingle with the faithful heart.

As angels false, in brethren’s guise they creep,
While wolves in sheepskin harvest what they reap.
Awake, ye saints! Unseal the sacred tome,
Where truth’s sharp blade dispels the gathering gloom.

The lukewarm soul in drowsy pews reclines,
Half-hearted faith that neither flames nor shines.
Yet Satan prowls the field with restless might,
While churchly sleep invites eternal night.

Arise, O sleeper, from thy torpid bed!
The foe advances; shake the slumbering head.
Discern the light from shadows that deceive,
Lest grace be bartered, truth no more believe.

The hour grows late, the trumpet sounds its call—
Reject the nap, reclaim the fight for all.
For mercy lingers, judgment waits in store:
The watchful eye shall see the open door.

The Drowsy Watch; Or, The Church’s Slumber and the Roaring Lion’s Unseen AdvanceAn Exhortation in Heroic Couplets by Debbie Harris

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“The Drowsy Watch; Or, The Church’s Slumber and the Roaring Lion’s Unseen Advance”The poem is a stern, prophetic warning in heroic couplets: believers have misused “judge not” as an excuse for blind tolerance, allowing deceptive enemies (false brethren, Satan in disguise) to infiltrate the church undetected. While Satan actively prowls and schemes, the church remains spiritually lukewarm and asleep in the pews. The poet urgently calls the drowsy saints to awaken, open the Bible, discern truth from deception, reject complacency, and rise to the spiritual battle before judgment falls—because only the vigilant will find mercy and the open door of salvation.

Matthew 7:15
Beware of false prophets, who come to you in sheep’s clothing, but inwardly they are ravenous wolves.

Revelation 3:15–16
I know your deeds, that you are neither cold nor hot. I wish you were either one or the other! So, because you are lukewarm—neither hot nor cold—I am about to spit you out of my mouth.”

Ephesians 5:14
Wake up, sleeper, rise from the dead, and Christ will shine on you.”

Romans 13:11
And do this, understanding the present time: The hour has already come for you to wake up from your slumber, because our salvation is nearer now than when we first believed.

Revelation 3:8, 20
See, I have placed before you an open door that no one can shut… Here I am! I stand at the door and knock. If anyone hears my voice and opens the door, I will come in…

We’ve softly cried, “Let none presume to judge,”
Till tolerance became our shielding grudge—
A veil that blinds us to the cunning art
Of foes who mingle with the faithful heart.

As angels false, in brethren’s guise they creep,
While wolves in sheepskin harvest what they reap.
Awake, ye saints! Unseal the sacred tome,
Where truth’s sharp blade dispels the gathering gloom.

The lukewarm soul in drowsy pews reclines,
Half-hearted faith that neither flames nor shines.
Yet Satan prowls the field with restless might,
While churchly sleep invites eternal night.

Arise, O sleeper, from thy torpid bed!
The foe advances; shake the slumbering head.
Discern the light from shadows that deceive,
Lest grace be bartered, truth no more believe.

The hour grows late, the trumpet sounds its call—
Reject the nap, reclaim the fight for all.
For mercy lingers, judgment waits in store:
The watchful eye shall see the open door.

No Trumpets, Only Lamps: Enduring Faith in a Gospel-Rejecting World by Debbie Harris

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No Trumpets, Only Lamps: Enduring Faith in a Gospel-Rejecting World is a meditative poem in classical rhyming couplets that explores how believers are called to live faithfully in a culture that has largely rejected the gospel.It portrays the present era as “sin-sick” and darkened, where truth is scorned and former wrongs are celebrated. Rather than responding with loud confrontation, forced persuasion, or retreat into isolation, Christians are depicted as quiet pilgrims and watchmen: offering mercy, forgiving preemptively, speaking the gospel gently amid mockery, planting gardens in exile, and setting tables for the estranged.The poem emphasizes humble, costly witness—bearing the gospel as broken bread and cool water rather than a sword or banner, holding a lowly light so that even the spiritually blind may feel its warmth. It acknowledges the heavy nights of discouragement and the weight of rejection, yet counters them with glimpses of unmerited grace and the assurance of God’s unchanging love.The closing stanza turns toward patient hope: the faithful do not crave human approval but labor and watch in quiet expectation, trusting that the Master will return at dawn and find them steadfast.In essence, the poem is an encouragement to persevere with humble, incarnational faithfulness—neither conquering nor withdrawing, but simply carrying the light until the Lord calls His people home.

In this sin-sick age, where gospel truth is spurned,
And men in darkness clap what once was mourned,
We dwell as pilgrims, steadfast, undismayed,
Not by the crowd’s acclaim, but by the Word obeyed.

No trumpets blast to force the deaf to hear,
No flight to hills where silence reigns austere;
But quiet witness in the market’s din—
A steady lamp where shadows gather in.

We offer mercy when the stones are cast,
Forgive before the penitent is asked;
We speak the old, unwelcome, saving name,
Though mocked as folly in this age of shame.

Like watchmen posted on the midnight tower,
We hold the vigil through the darkening hour;
The horn may sound, unheard by sleeping throng,
Yet faithfulness endures, though none prolong.

As exiles planting gardens in dry ground,
We set a table where no kin are found;
The cross remains though scaffolds rise anew—
Its victim’s love the age cannot undo.

Some nights the weight of scorn would make us fall,
The fevered tide seems to have drowned us all;
Yet grace slips in, unbidden, undeserved—
A stranger’s kindness, undeservedly preserved.

So bear the gospel, not as conquering sword,
Nor trophy bright, nor banner loudly roared,
But broken bread in hands that shake with care,
Cool water offered though the lips may swear.

A lowly light, held close that blind may feel
Its warmth before the eye can see it real.
We dwell not craving praise from men below,
But waiting for the dawn that God shall show—
Who bids us labor till the Master come,
And finds us watching when He calls us home.

Maranatha – Come, Lord Jesus: The Armor Is Donned, the Strongholds Are Broken, the Veil Is Rent by Debbie Harris

A passionate Christian spiritual warfare prayer and declaration cries out that God is pulling back the veil, the Restrainer is loosening, and demonic systems are being exposed in these end-times hours. Believers face intensified enemy retaliation (like Pharaoh’s rage), yet stand victorious by putting on the full armor of God (Ephesians 6), wielding the sword of the Spirit, breaking strongholds in Jesus’ name and by His blood, renouncing lies and fear, and commanding spirits of oppression to flee. Protected under Psalm 91 wings, no weapon prospers against the Church. The piece ends with a triumphant cry: Maranatha—Come, Lord Jesus!

In shadowed hours when darkness swells and roars,
The Restrainer loosens, veils begin to part;
Demonic chains that bound the earth in scores
Now crack and fall—God’s light invades the heart.

Like Pharaoh’s pride, when plagues exposed his lie,
The enemy surges fierce in wild reply;
Yet we, anointed, stand beneath the sky,
With armor forged where heaven’s eagles fly.

Gird truth around the waist, let righteousness shield the breast,
Shod feet proclaim the gospel’s peaceful call;
The shield of faith deflects each fiery test,
While helmet guards the mind from fear’s dark thrall.

The Spirit’s sword, God’s living Word, we wield—
It pierces deep, divides the soul from bone;
Every thought captive, every doubt we yield,
To Christ alone, whose blood has made us known.

Spirits of heaviness, flee in Jesus’ name!
Fear, confusion, bondage—scatter to the night;
The Accuser’s voice is silenced, put to shame,
By crimson flood that turns our wrong to right.

No weapon formed shall prosper ‘gainst His own;
A thousand fall, yet plague shall not draw near;
Under His wings we dwell, no terror shown,
Our refuge firm, our fortress crystal-clear.

Come, Lord of glory, rend the final veil!
Maranatha—swift return in blazing might;
Till then we watch, we pray, we shall not fail,
Rooted in truth, arrayed in endless light. Amen.

Awake, O Wanderer, from the Death You Speak: The Tragedy of “Oh Jesus Christ” in Vain, the Grief It Brings to Divine Love, and the Call to Words of Life Eternal by Debbie Harris

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This solemn, classically rhymed poem laments the casual blasphemy of a professed Christian who flings “Oh Jesus Christ!” as an empty exclamation of frustration or surprise, thereby taking the Savior’s holy name in vain. It portrays the deep grief this irreverence inflicts upon God’s heart, the doubts it stirs in observers about the speaker’s true knowledge of the biblical God, and the ancient biblical truth that the tongue holds the power of life and death (Proverbs 18:21). Through vivid imagery and urgent exhortation, the work warns against reveling in such death-bringing words and calls the wanderer to repentance, urging a return to reverent speech that honors the divine Name and chooses blessing over ruin.

In shadowed halls where faith should gleam,
A professed believer, bold in claim,
Utters lightly the sacred Name,
Profaning what the heavens deem.

“Oh God!” he cries in jest or ire,
Not in prayer, but vain and fleet,
A careless word, a thoughtless feat,
That kindles not devotion’s fire.

Yet deeper still the wound is torn
When “Oh Jesus Christ!” escapes the lip—
In shock, in rage, in casual slip,
The Savior’s name as curse is worn.

Not whispered soft in fervent plea,
Nor lifted high in grateful song,
But flung like dust where it belongs
To no one holy, none but He.

How grievous to the Father’s ear,
That Name which angels veil their face,
Now cheapened in the marketplace
Of fleeting anger, fleeting fear!

The heart of God, so full of grace,
Is pierced anew by every sound—
A blade of irreverence profound,
That turns His mercy to disgrace.

The watchers ’round, with doubting eyes,
Behold this soul in hollow guise,
And whisper low, “Does he surmise
The God of Scripture’s truths and ties?

If he who claims the cross as shield
Can toss the Christ in vain despair,
What light within does he truly bear?
What Lord does such a tongue reveal?

” For life and death dwell in the tongue,
As ancient wisdom doth proclaim—
A spring of blessing, or of flame,
Where songs of hope or dirges sung.

To choose the phrase that mocks the Lamb,
Reveling in death’s sharp-edged art,
Is to invite the shadowed heart
To feast where ruin calls its name.

Why revel then in death’s dark art,
Choosing venom over vital breath?
To wound the soul, invite the wrath,
And chain the erring, wayward heart?

Awake, O wanderer, heed the call!
Let words be bridges, pure and true,
To lift the fallen, guide anew,
Lest in thy fall, thou drag us all.

Repent the careless cry, restore
The Name to reverence once more—
For in each breath, we choose the door
To life eternal, or no more.

Beware the Serpent’s Honeyed Tongue: Duplicity, Deception, and the Urgent Call to Test Every Spirit Against Scripture’s Revealing Light by Debbie Harris

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The poem warns of Satan’s ancient tactic of deception through twisted language and false appearances. He disguises himself as an “angel of light,” borrowing the label “Christian” while preaching a counterfeit version of the faith—one that avoids the full truth of sin, repentance, the cross, and Christ’s exclusive lordship. Using half-truths, misquoted Scripture, and appealing words, the enemy leads souls astray, presenting a softer, more acceptable “Jesus” that fits the world rather than conforms to biblical revelation.The poem urges believers to exercise vigilant discernment, just as the Bereans did, by asking pointed questions and testing every claim against God’s Word alone. Does the teaching confess Jesus Christ come in the flesh? Does it uphold salvation by grace through His atoning blood, without adding human works or excusing sin? By examining fruits and doctrine in the light of Scripture, Christians can recognize the true Christ—the risen Lamb who reigns—and stand firm against every lie. Ultimately, the poem calls readers to cling to the unchanging truth of the Bible, where victory over deception is already secured in Jesus.

The serpent speaks with honeyed tongue once more,
A velvet veil o’er venom sharp and sure;
He cloaks his lies in light the eye adores,
And bids the soul, “Believe—no need to pore
O’er Scripture’s truth in its revealing light.”

“Christian” he whispers from the crowded throng,
A name he borrows, bright and broad and bold,
Yet twists the cross to suit the world’s sweet song,
A different gospel, gleaming, bought, and sold.

Not every bearer of the sacred name
Confesses Christ in flesh come down to die;
Some preach a savior soft, without the shame
Of sin’s full weight, or hell’s unending cry.

He quotes the Scripture, line by cunning line,
But bends the meaning till the truth is lost;
Half-truths entwine like thorns around the vine—
A counterfeit, no matter what the cost.

Ask then, O soul, with Berean-like fire:
Is this the Jesus born of virgin womb?
The Word made flesh, the Lamb on Calvary’s pyre,
Who rose triumphant from the guarded tomb?

Does doctrine hold that He alone can save,
Through blood atonement, grace without a price?
Or add man’s works, or twist the narrow way,
Denying lordship, calling sin but vice?

By fruits ye know them—search the heart’s deep root;
God’s Word alone the measure, pure and bright.
Let not the angel’s glow deceive thy foot—
Test every spirit in the scriptural light.

For Satan’s guile is ancient, ever near,
But Christ the Truth shall stand when all is done;
Cling fast to Scripture, cast out doubt and fear—
The true Christ reigns, the victory is won.

May these verses and lines stir deeper hunger for God’s unchanging Word, that we might stand firm against every deception in these last days. His truth endures forever.

What Avails Earthly Fame When Heaven Knows Not Thy Name? by Debbie Harris

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The poem questions the true value of earthly fame and worldly recognition. It argues that achieving renown—through applause, laurels, trumpets, and titles—is ultimately meaningless and transient if one’s name remains unknown in heaven. Key ideas developed across the sonnet:

  • Quatrain 1: Fame may echo loudly on earth, but heaven’s records stay silent, ignoring even the most celebrated individuals.
  • Quatrain 2: Earthly honors (like the laurel crown) quickly fade, and while people may praise you, angels overlook you entirely.
  • Quatrain 3: Human reputation is fragile and illusory—like an inflated bubble or a painted shadow—destroyed in an instant by divine will, reducing all proud titles to nothing.
  • Couplet (resolution): The poet advises rejecting glory based on dust and time; instead, pursue a name written in heaven through divine love and true virtue.

In essence, the sonnet is a meditation on vanity and spiritual priority: mortal fame is hollow without eternal acknowledgment from God/heaven. It echoes biblical themes (e.g., Ecclesiastes’ “vanity of vanities”) while using classic Shakespearean imagery of transience, bubbles, shadows, and withering crowns to drive home the contrast between fleeting human praise and lasting heavenly recognition.

Mark 8:36 (KJV): For what shall it profit a man, if he shall gain the whole world, and lose his own soul?

Shall fame upon this fleeting earth aspire,
With trumpets loud and golden echoes blown,
When heaven’s scrolls lie silent to the lyre,
And know thee not, though all the world hath known?

What avails it then, to wear the laurel crown,
That withers ere the morrow’s sun be high?
The multitude may cast their praises down,
Yet angels pass thee with unseeing eye.

For mortal breath inflates the bubble name,
A painted shadow dancing on the wall;
One breath of God, and all returns to flame—
The proudest titles into nothing fall.

Then seek no glory writ in dust and time;
Let heaven learn thy name in love sublime.