Free Verse: Ancient Evil Unveiled in Modern Files: All Eyes on Jesus—Victory Already Won, Hope Unshakable by Debbie Harris

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The world tilts sharp when shadows break open,
files spill like blood from old, sealed wounds—
names, whispers, horrors etched in ink and image,
childhoods stolen, innocence sacrificed on altars
of power, pleasure, and something darker still.
Cannibal whispers in the margins, ancient rites
dressed in modern suits. The stomach drops,
a pit yawns wide, familiar to some who walked
this road years ago, alone in the quiet knowing.

You feel it now—the spin, the sick vertigo
of realizing evil is not rumor, not metaphor,
but flesh and breath and deliberate cruelty.
It is not new. Cain’s hand trembled first;
Molech’s fires burned long before cameras clicked.
Since the garden’s fall, the serpent coils
through every age, wearing crowns, robes, smiles.

Yet here, in the reeling, a fork appears:
despair’s black river, or the narrow path
upward to the One who saw it all before—
who descended into the abyss itself,
carried the weight of every violation,
every tear forced silent, every body broken.

He did not turn away. He entered.
And on the third day, light cracked stone.

So run, dear heart, not from the truth
but through it—toward the steady flame
that no redaction can erase, no name can dim.
Let the heaviness press you lower,
until you find the Rock beneath the quake.

You are not alone in this awakening.
Prayers rise like incense for you,
for the shaken, the grieving, the newly sighted.
Evil roars, but it is wounded, mortal.
Jesus holds the gavel, the throne, the dawn.

Choose light. Speak gospel into the dark.
Live honor where shadows once ruled.
Let faith outlast the fear, hope outshine the pit.
The battle was won on a hill far off;
the echoes now are victory’s aftershocks.

All eyes on Jesus.
The darkness trembles.
The Light remains.

🤍✝️

The Christlike Balance We Long For: Patient Mercy That Weeps for Souls, Unbending Resolve That Stands Against the Masks of Evil by Debbie Harris

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The sonnet is a prayerful aspiration to reflect God’s character in daily life. It asks for grace to embody Christ’s gentle, merciful, and patient love toward every person—tender as morning dew, compassionate like Jesus weeping at Lazarus’s tomb, kind in speech, and full of grace in action—even toward those who are lost or straying.

At the same time, it pleads for unwavering resolve: never to compromise or yield when God’s truth is challenged, tested, or attacked. The poem recognizes that evil often disguises itself in subtle, soft-spoken, or outwardly respectable forms (“a thousand cunning masks”), yet believers are called to stand firmly against every form of sin and falsehood.

The heart of the poem lies in embracing this biblical tension: deep, heart-breaking compassion for sinners as image-bearers of God, paired with uncompromising opposition to sin itself. It concludes by affirming the path of walking in God’s way—offering mercy to people while remaining unyielding toward evil’s influence.

In essence, the sonnet is both a portrait of Christlike maturity and a personal plea: “Lord, make us merciful like You toward every soul, yet holy and resolute like You against all that opposes Your truth.”

As gentle as the dew on morning grass,
Merciful as Christ who wept for Lazarus’ tomb,
Patient when our wayward hearts would pass
Through shadows, yet return to light’s own room—
So may we bear His likeness in our care,
Kind in word, grace-filled in every deed,
Extending love to all who breathe the air,
Yet never yielding where God’s truth is tried.

For evil wears a thousand cunning masks,
In whispers soft, in systems proud and bold;
We stand against it, though compassion asks
Our hearts to break for every straying soul.

In Glorious & Unceasing Crescendo Let All That Hath Breath Praise the Lord: A Sonnet of Majestic & All-Encompassing Adoration, Embracing the Trumpet’s Call, the Harp & Psaltery’s Harmony, the Timbrel & Dance’s Merry Motion, the Strings & Pipes’ Sacred Melody, & the Resounding Clash of Cymbals Both Loud & High, as Enjoined in the Culminating Verses of Psalm the Hundred & Fiftieth by Debbie Harris

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The poem is a Shakespearean sonnet that vividly reimagines Psalm 150:3–5 as an exuberant, all-encompassing call to worship. It portrays praise to God as a swelling musical and kinetic symphony in which every instrument and every form of joyful expression must participate without restraint:

  • Quatrain 1 (lines 1–4): Begins with the bold sounds of trumpet, psaltery, and harp, joined by the rhythmic beat of the timbrel and the lively motion of dance.
  • Quatrain 2 (lines 5–8): Adds strings, pipes (organs), loud cymbals, and high-sounding brass, urging every note and rhythm to break free in triumphant adoration of the Lord.
  • Quatrain 3 / Volta (lines 9–12): Declares that silence has no place; instead, winds, strings, percussion, voices, and dance unite in a grand, unending crescendo—a vast symphony of worship.
  • Couplet (lines 13–14): Concludes with the ultimate unity of purpose: let every breath and being join together to offer ceaseless praise to God, whose glory endures forever.

In essence, the sonnet transforms the Psalm’s list of instruments and actions into a single, surging wave of praise that sweeps up all creation in joyful, unrestrained devotion, culminating in the famous closing imperative of Psalm 150:6 (“Let every thing that hath breath praise the LORD”). It is both a poetic celebration of musical diversity in worship and a fervent exhortation to total, harmonious surrender in glorifying God.

In trumpet’s blaze let praise to heaven ring,
With psaltery sweet and harp’s melodious strain;
Let timbrel’s beat and dancing footsteps sing,
While strings and pipes their glad refrain maintain.
Upon loud cymbals clash the mighty sound,
And high-resounding brass in triumph roar;
Let every note and rhythm be unbound,
To hail the Lord whom all creation adore.
No silence dare restrain the joyful throng,
But winds and strings, percussion, voice, and dance
In grand crescendo lift their ceaseless song—
A symphony of worship’s vast expanse.
So let all breath and being join as one:
Praise Him whose glory never shall be done.

Grow Evermore in Grace and in the Knowledge of Our Saviour: A Sonnet of Endless Amen by Debbie Harris

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2 Peter 3:18 (KJV)
But grow in grace, and in the knowledge of our Lord and Saviour Jesus Christ. To him be glory both now and for ever. Amen.

In grace divine, let every heart expand,
A living root that drinks the heaven-sent rain,
Not static, bound by flesh’s feeble hand,
But rising, growing through both joy and pain.
Increase in knowledge of our Saviour’s face,
Whose love unveiled outshines the morning star,
To know Him more is heaven’s endless chase,
Each step a flame that draws the soul from far.

To Jesus Christ, our Lord and King alone,
Be glory poured, both in this fleeting now
And onward to eternity’s bright throne,
Where endless ages evermore shall bow.
Amen — the final word of ceaseless praise,
Our growing hearts His endless song shall raise.

When Friends Became Accusers – The Sorrowful Fall of Eliphaz, Bildad, and Zophar: From Dust and Silence to Cruel Doctrine by Debbie Harris

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Summary of the Poem
When Friends Became Accusers: From Dust and Silence to Cruel Doctrine – The Sorrowful Fall of Job’s False Counselors

The poem retells the tragic arc of Job’s three friends—Eliphaz, Bildad, and Zophar—in classical rhymed verse, focusing on their betrayal through misplaced theology rather than on Job’s own suffering or eventual restoration.

It begins with Job’s idyllic life in Uz and the sudden cascade of calamities that strip him of wealth, children, and health. The friends arrive, recognize his unrecognizable state, tear their robes, and sit with him in dust for seven days in reverent, wordless mourning—a moment the poem calls “holy” and “golden,” the purest expression of friendship.

This silence shatters when the friends begin to speak. What starts as intended comfort quickly turns into accusation: they insist Job’s afflictions must stem from hidden sin, citing retributive justice as an iron law. Eliphaz appeals to conventional wisdom, Bildad invokes ancestral tradition, and Zophar delivers the harshest, most unsparing condemnation. Their speeches cycle repeatedly, growing sharper and more dogmatic, transforming compassion into cruel judgment and friendship into theological prosecution.

Job rebukes them as “miserable comforters,” lamenting that they wound rather than heal, trading love for certainty and piling shame on his already broken body and spirit.

The poem culminates with God’s intervention from the whirlwind: He rebukes the three friends for speaking wrongly of Him, declares that Job has spoken rightly, and requires them to seek Job’s intercession through sacrifice—thus humbling them and exposing the limits of their human doctrines.

In the closing stanzas the poem draws a timeless moral: true friendship in suffering demands prolonged silence, restraint, and mercy over hasty answers or righteous explanations. The greatest betrayal is not the loss of fortune or family, but the moment friends—under the guise of piety—turn comfort into condemnation, piercing the soul with words meant to save it.

The work is both a faithful retelling of the biblical narrative and a lament for the fragility of empathy when overshadowed by rigid certainty, ending with a call to “sit long, speak little, love before you dare to lead.”

In ancient Uz, where fortune once did crown
A blameless man with wealth and children dear,
Came Eliphaz, Bildad, Zophar—three renowned
As friends who journeyed far to dry his tear.

They sat in silence seven days and nights,
Robes torn, dust heaped upon their sorrowing heads,
Compassion flowed in wordless, shared laments—
A golden hour, before the poison spread.

But silence broke; their tongues began to speak,
Not balm, but blades forged in retributive creed:
“The innocent fall not,” Eliphaz declared,
“Your hidden sins have summoned this dire need.”

Bildad pressed on with colder, sterner art,
“Your sons must sin, and justice claimed their breath;
Repent, and God will heal your broken heart—
For upright souls escape the grasp of death.”

Then Zophar, fiercest, flung his accusation bare:
“Mock not the heavens with your proud complaint!
Your guilt runs deeper than the sea’s despair—
Confess, or perish in the righteous taint.”

Cycle on cycle, speeches rose like storms,
Each charge more bitter, each rebuke more keen;
They turned compassion into cruel norms,
And friendship’s stream dried up to barren spleen.

Job cried, “Miserable comforters are ye!
You barter trust, you cast lots on my name;
Where loyalty should stand in constancy,
You wield theology to heap more shame.”

They came to bind his wounds with gentle care,
Yet pierced them deeper with dogmatic zeal—
The tragedy not only loss and prayer,
But friends who judged when love alone should heal.

For God Himself would later thunder forth,
Anger kindled at their false decree:
“You spoke not right of Me upon the earth—
My ways elude your proud simplicity.”

So let this tale in shadowed verses ring:
True friends sit long before they dare to preach;
In suffering’s vale, let mercy be the thing
That silence guards, and gentle words beseech.

For betrayal wears the mask of righteous aid,
And wounds the soul when comfort turns to blame—
Thus Job endured, by heaven’s will remade,
While friends repented in their humbled shame.

Jesus Christ, the Risen Victor, Crowned in Eternal Holy Beauty and Unconquerable Glory by Debbie Harris

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Jesus stands, the risen Victor over night,
His wounds now fountains pouring living light;
Where death once snarled, His footsteps bloom with grace—
The grave lies shattered at His sovereign face.

All heaven bows before the Lion’s gaze,
The Lamb whose glory sets the cosmos ablaze;
In Him the broken find their final dawn,
Jesus Christ crowned with beauty—victory won.

No shadow dares to linger in His sight,
His voice stills tempests, bids the dead arise;
The ancient curse dissolves beneath His might—
Creation sings anew beneath His skies.

The throne of endless ages He ascends,
Arrayed in splendor no eye can contain;
Through every realm His sovereign mercy bends,
Jesus Christ reigns—forevermore the same.

Contemporary/ Free Verse Version: In the Sin-Sick World, Write On: Christ-Centered Poets Bearing Jeweled Verses of Diamonds, Rubies, Emeralds, Malachite, Rhodochrosite—Treasured by Father, Son, and Holy Spirit by Debbie Harris

The contemporary free verse version, titled Gems in the Sin-Sick Dawn, is a concise, hopeful devotional poem that speaks directly and urgently to Christ-centered poets.

In short lines and natural, conversational flow (without rhyme or strict meter), it poses a key question: In this broken, shadow-filled “sin-sick world” where voices fade, is there still room for poets whose hearts overflow with Scripture-inspired beauty?

The answer affirms yes. Hearts brim with vivid “gems” — diamonds of uncut clarity, rubies ablaze with holy fire, emeralds echoing Eden’s promise, malachite enduring storms, rhodochrosite as tender mercy — all kinds of poetry mined from “the veins of God’s magnificent words.”

Earthly outlets remain open (pages, screens, journals like risen tombs), where the hungry find light and the weary find breath. Yet even if the world shuts doors or ignores praise, the true, unfailing audience is our blessed Trinity: Father who spoke the first verse, Son the living Word, Spirit who revives dry bones.

The poem ends with a prophetic call: Poets of the Holy Bible, arise! Write on! Offer every line upward as an unfading jewel in heaven’s courts. Darkness cannot quench this light; hope gleams eternal, words are treasured, polished, set in glory. The King listens, delighted.

Overall, it’s a raw, encouraging prophecy — immediate and intimate like spoken encouragement or testimony — celebrating persistence in faith poetry, divine delight over worldly rejection, and the enduring sparkle of biblical truth in a weary age.

In this sin-sick world,
where shadows press and voices fade,
is there still a place
for Christ-centered poets?

Hearts full of diamonds—clarity uncut,
rubies burning with holy fire,
emeralds deep as Eden’s promise,
malachite enduring through the storm,
rhodochrosite tender, rose of mercy—
gems of poetry of every kind,
mined from the veins of God’s magnificent words.

Yes—there is still a place.
The page awaits, the screen glows,
journals open their arms like open graves
now empty, risen.
Publish where the hungry seek light,
share where the weary find breath.

And even if doors bolt shut,
if the world plugs its ears to praise,
my audience remains
our blessed Trinity—
Father who spoke the first verse,
Son who is the living Word,
Spirit who breathes life into dry bones.

So poets of the Holy Bible, arise!
Write on!
Let every line be a jewel offered upward,
sparkling in the courts of heaven,
unfading, undimmed.
The darkness cannot quench this light.

Hope gleams eternal—
your words are not lost,
but treasured, polished, set in glory.
Write on, dear poet.
The King listens, delighted.

Classical/Rhymed:In the Sin-Sick World, Write On: Christ-Centered Poets Bearing Jeweled Verses of Diamonds, Rubies, Emeralds, Malachite, Rhodochrosite—Treasured by Father,Son, and Holy Spirit by Debbie Harris

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The poem “In the Sin-Sick World, Write On: Christ-Centered Poets Bearing Jeweled Verses of Diamonds, Rubies, Emeralds, Malachite, Rhodochrosite—Treasured by Father, Son, and Holy Spirit” is a concise yet uplifting devotional work in classical rhymed form.

In five quatrain stanzas (plus a resolving couplet), it uses ABAB rhyme and iambic tetrameter/pentameter to create a hymn-like rhythm.

It begins by posing the central question: In a broken, “sin-sick world” full of darkness and weariness, is there still space for Christ-centered poets and their sacred verses?

The answer is a resounding yes. The poet’s heart overflows with symbolic “gems” mined from Scripture—diamonds of purity and clarity, rubies of passionate fire, emeralds of piercing hope, malachite of steadfast endurance through storms, and rhodochrosite of tender, rose-like mercy. These represent every kind of poetry drawn from “God’s magnificent words,” treasured eternally.

Even if earthly doors close or the world rejects such work, the true audience is the Blessed Trinity—Father (who spoke light into being), Son (the living Word incarnate), and Spirit (who breathes life into the lifeless). Heaven’s courts weigh and delight in every line offered upward.

In this sin-sick world, where darkness reigns,
And weary hearts grow faint beneath the load,
Is there still room for poets’ sacred strains—
Christ-centered voices on the narrow road?

Hearts brimming full with diamonds pure and bright,
With rubies fierce in passion’s holy flame,
Emeralds of hope that pierce the endless night,
Malachite steadfast through the tempests’ claim,
Rhodochrosite, rose-tender mercy’s grace—
Gems of poetry in every hue and kind,
Drawn from the treasury of God’s own face,
His magnificent words, forever enshrined.

Yes, there is still a place! The page lies wide,
Journals unfold like empty tombs at dawn,
The hungry seek the light you hold inside,
And weary souls find breath when hope is drawn.

Yet even if the world should turn away,
And doors be barred against the songs we sing,
My audience endures through night and day—
Our blessed Trinity, eternal King:
The Father who first spoke the light to be,
The Son, the living Word in flesh arrayed,
The Spirit breathing life where none could see—
In heaven’s courts, your every line is weighed.

So poets of the Holy Bible, stand!
Arise and write, let verses freely flow.
Each jewel offered upward by your hand
Shines undimmed in the courts where glories grow.

The darkness cannot quench this radiant fire;
Hope gleams eternal, polished, set in light.
Your words are treasured, lifted ever higher—
Write on, dear poet, in His pure delight!

Awake and Test the Spirits! An Urgent Call Against Deception—Many False Prophets Now Swarm the World, the Spirit of Antichrist Is Already at Work Among Us; Herein Lies the Certain and Unfailing Test: Every Spirit That Confesseth Jesus Christ Has Come in the Flesh Is of God by Debbie Harris

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Awake, beloved! Trust no spirit’s voice,
But try them fiercely, prove their source divine;
False prophets swarm like locusts, make their choice
To scatter lies where truth once used to shine.
The antichrist already moves unseen,
His spirit breathes through many in our day;
Deceivers whisper, twist what should have been,
And lead the careless down the broad, wrong way.
Yet here the certain test is plainly shown:
Confess that Jesus Christ in flesh has come—
True God made man, in mortal body known—
That spirit speaks from heaven’s very throne.
Stand guard, dear hearts, lest darkness claim its prize;
The Spirit of the Lord in truth abides.

Beneath His Banner of Love: A Christ-Centered Valentine’s Reflection by Debbie Harris

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The poem is a reverent reflection on Valentine’s Day (February 14), portraying true, initiating love as originating not in earthly romance or symbols (roses, cards, candy hearts), but in God’s eternal, sacrificial love demonstrated on the cross at Calvary.

Key themes:

  • God’s love precedes and surpasses all human expressions of affection—He first loved us, choosing and claiming believers long before any Valentine gesture (drawing from 1 John 4:19 KJV).
  • Christ’s wounds (palms pierced with iron and blood) eternally bear our names, securing an unbreakable bond.
  • Human vows and romantic symbols (red roses, embraces) are mere shadows pointing to the deeper, conquering love of Christ’s death and resurrection (echoing John 15:13 KJV and Ephesians 5:25 KJV).
  • The soul responds not by initiating romance, but in humble worship and surrender: bowing low and declaring, “Lord, I am Yours—eternally Thine,” under the protective “banner of love” (Song of Solomon 2:4 KJV).

Overall, it reframes Valentine’s Day as a celebration of Christ’s pursuing, redeeming, and unfailing love for His people—far greater and more enduring than any temporal expression—inviting the reader to rest in that divine romance.

1 John 4:19 (KJV)
We love him, because he first loved us.

John 15:13 (KJV)
Greater love hath no man than this, that a man lay down his life for his friends.

Ephesians 5:25 (KJV)
Husbands, love your wives, even as Christ also loved the church, and gave himself for it;

Song of Solomon 2:4 (KJV)
He brought me to the banqueting house, and his banner over me was love.

In the hush before the morning broke,
Love was already spoken—
Not first in roses, not in gold,
But in a cross of splintered oak.

You were chosen long before the card,
Before the candy heart could form its claim;
Written on palms with iron and blood,
My name, your name, carved in the same.

No vow we offer on this day
Can match the vow You spoke at Calvary:
“This one is Mine, though hell should rage,
I’ll love them to eternity.”

So let the red of roses nod
Toward the deeper red You gave;
Let every embrace be but a shadow
Of the love that conquered grave.

Yet in this sacred, shadowed light,
My soul bows low and softly cries:
“Lord, I am Yours—eternally Thine,”
Beneath the banner of love divine.