The Drowsy Watch; Or, The Church’s Slumber and the Roaring Lion’s Unseen Advance An Exhortation (More modern format) by Debbie Harris

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The poem is a passionate, prophetic exhortation in verse, warning the church against spiritual complacency and deception. It laments how an overemphasis on non-judgmental “tolerance” has become a protective excuse that blinds believers to false teachers and infiltrators—described as wolves in sheep’s clothing—who subtly undermine the faithful from within. Drawing on biblical imagery, it criticizes the lukewarm, half-hearted faith that drowsily occupies pews, failing to burn brightly or resist evil, while Satan actively prowls. The poem urgently calls sleepers to awaken, shake off lethargy, discern truth from deception, reject compromise, and reclaim vigilant faithfulness before it’s too late. It concludes with a sobering yet hopeful note: mercy still lingers for the repentant, but judgment approaches, and only the watchful will enter the open door of grace. Written in rhythmic quatrains with an ABAB rhyme scheme and mostly iambic tetrameter, it echoes the style of traditional hymns while delivering a timely, convicting revivalist message.

Matthew 7:15
Beware of false prophets, who come to you in sheep’s clothing, but inwardly they are ravenous wolves.

Revelation 3:15–16
I know your deeds, that you are neither cold nor hot. I wish you were either one or the other! So, because you are lukewarm—neither hot nor cold—I am about to spit you out of my mouth.”

Ephesians 5:14
Wake up, sleeper, rise from the dead, and Christ will shine on you.”

Romans 13:11
And do this, understanding the present time: The hour has already come for you to wake up from your slumber, because our salvation is nearer now than when we first believed.

Revelation 3:8, 20
See, I have placed before you an open door that no one can shut… Here I am! I stand at the door and knock. If anyone hears my voice and opens the door, I will come in…

We’ve softly cried, “Let none presume to judge,”
Till tolerance became our shielding grudge—
A veil that blinds us to the cunning art
Of foes who mingle with the faithful heart.

As angels false, in brethren’s guise they creep,
While wolves in sheepskin harvest what they reap.
Awake, ye saints! Unseal the sacred tome,
Where truth’s sharp blade dispels the gathering gloom.

The lukewarm soul in drowsy pews reclines,
Half-hearted faith that neither flames nor shines.
Yet Satan prowls the field with restless might,
While churchly sleep invites eternal night.

Arise, O sleeper, from thy torpid bed!
The foe advances; shake the slumbering head.
Discern the light from shadows that deceive,
Lest grace be bartered, truth no more believe.

The hour grows late, the trumpet sounds its call—
Reject the nap, reclaim the fight for all.
For mercy lingers, judgment waits in store:
The watchful eye shall see the open door.

The Drowsy Watch; Or, The Church’s Slumber and the Roaring Lion’s Unseen AdvanceAn Exhortation in Heroic Couplets by Debbie Harris

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“The Drowsy Watch; Or, The Church’s Slumber and the Roaring Lion’s Unseen Advance”The poem is a stern, prophetic warning in heroic couplets: believers have misused “judge not” as an excuse for blind tolerance, allowing deceptive enemies (false brethren, Satan in disguise) to infiltrate the church undetected. While Satan actively prowls and schemes, the church remains spiritually lukewarm and asleep in the pews. The poet urgently calls the drowsy saints to awaken, open the Bible, discern truth from deception, reject complacency, and rise to the spiritual battle before judgment falls—because only the vigilant will find mercy and the open door of salvation.

Matthew 7:15
Beware of false prophets, who come to you in sheep’s clothing, but inwardly they are ravenous wolves.

Revelation 3:15–16
I know your deeds, that you are neither cold nor hot. I wish you were either one or the other! So, because you are lukewarm—neither hot nor cold—I am about to spit you out of my mouth.”

Ephesians 5:14
Wake up, sleeper, rise from the dead, and Christ will shine on you.”

Romans 13:11
And do this, understanding the present time: The hour has already come for you to wake up from your slumber, because our salvation is nearer now than when we first believed.

Revelation 3:8, 20
See, I have placed before you an open door that no one can shut… Here I am! I stand at the door and knock. If anyone hears my voice and opens the door, I will come in…

We’ve softly cried, “Let none presume to judge,”
Till tolerance became our shielding grudge—
A veil that blinds us to the cunning art
Of foes who mingle with the faithful heart.

As angels false, in brethren’s guise they creep,
While wolves in sheepskin harvest what they reap.
Awake, ye saints! Unseal the sacred tome,
Where truth’s sharp blade dispels the gathering gloom.

The lukewarm soul in drowsy pews reclines,
Half-hearted faith that neither flames nor shines.
Yet Satan prowls the field with restless might,
While churchly sleep invites eternal night.

Arise, O sleeper, from thy torpid bed!
The foe advances; shake the slumbering head.
Discern the light from shadows that deceive,
Lest grace be bartered, truth no more believe.

The hour grows late, the trumpet sounds its call—
Reject the nap, reclaim the fight for all.
For mercy lingers, judgment waits in store:
The watchful eye shall see the open door.

No Trumpets, Only Lamps: Enduring Faith in a Gospel-Rejecting World by Debbie Harris

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No Trumpets, Only Lamps: Enduring Faith in a Gospel-Rejecting World is a meditative poem in classical rhyming couplets that explores how believers are called to live faithfully in a culture that has largely rejected the gospel.It portrays the present era as “sin-sick” and darkened, where truth is scorned and former wrongs are celebrated. Rather than responding with loud confrontation, forced persuasion, or retreat into isolation, Christians are depicted as quiet pilgrims and watchmen: offering mercy, forgiving preemptively, speaking the gospel gently amid mockery, planting gardens in exile, and setting tables for the estranged.The poem emphasizes humble, costly witness—bearing the gospel as broken bread and cool water rather than a sword or banner, holding a lowly light so that even the spiritually blind may feel its warmth. It acknowledges the heavy nights of discouragement and the weight of rejection, yet counters them with glimpses of unmerited grace and the assurance of God’s unchanging love.The closing stanza turns toward patient hope: the faithful do not crave human approval but labor and watch in quiet expectation, trusting that the Master will return at dawn and find them steadfast.In essence, the poem is an encouragement to persevere with humble, incarnational faithfulness—neither conquering nor withdrawing, but simply carrying the light until the Lord calls His people home.

In this sin-sick age, where gospel truth is spurned,
And men in darkness clap what once was mourned,
We dwell as pilgrims, steadfast, undismayed,
Not by the crowd’s acclaim, but by the Word obeyed.

No trumpets blast to force the deaf to hear,
No flight to hills where silence reigns austere;
But quiet witness in the market’s din—
A steady lamp where shadows gather in.

We offer mercy when the stones are cast,
Forgive before the penitent is asked;
We speak the old, unwelcome, saving name,
Though mocked as folly in this age of shame.

Like watchmen posted on the midnight tower,
We hold the vigil through the darkening hour;
The horn may sound, unheard by sleeping throng,
Yet faithfulness endures, though none prolong.

As exiles planting gardens in dry ground,
We set a table where no kin are found;
The cross remains though scaffolds rise anew—
Its victim’s love the age cannot undo.

Some nights the weight of scorn would make us fall,
The fevered tide seems to have drowned us all;
Yet grace slips in, unbidden, undeserved—
A stranger’s kindness, undeservedly preserved.

So bear the gospel, not as conquering sword,
Nor trophy bright, nor banner loudly roared,
But broken bread in hands that shake with care,
Cool water offered though the lips may swear.

A lowly light, held close that blind may feel
Its warmth before the eye can see it real.
We dwell not craving praise from men below,
But waiting for the dawn that God shall show—
Who bids us labor till the Master come,
And finds us watching when He calls us home.

Maranatha – Come, Lord Jesus: The Armor Is Donned, the Strongholds Are Broken, the Veil Is Rent by Debbie Harris

A passionate Christian spiritual warfare prayer and declaration cries out that God is pulling back the veil, the Restrainer is loosening, and demonic systems are being exposed in these end-times hours. Believers face intensified enemy retaliation (like Pharaoh’s rage), yet stand victorious by putting on the full armor of God (Ephesians 6), wielding the sword of the Spirit, breaking strongholds in Jesus’ name and by His blood, renouncing lies and fear, and commanding spirits of oppression to flee. Protected under Psalm 91 wings, no weapon prospers against the Church. The piece ends with a triumphant cry: Maranatha—Come, Lord Jesus!

In shadowed hours when darkness swells and roars,
The Restrainer loosens, veils begin to part;
Demonic chains that bound the earth in scores
Now crack and fall—God’s light invades the heart.

Like Pharaoh’s pride, when plagues exposed his lie,
The enemy surges fierce in wild reply;
Yet we, anointed, stand beneath the sky,
With armor forged where heaven’s eagles fly.

Gird truth around the waist, let righteousness shield the breast,
Shod feet proclaim the gospel’s peaceful call;
The shield of faith deflects each fiery test,
While helmet guards the mind from fear’s dark thrall.

The Spirit’s sword, God’s living Word, we wield—
It pierces deep, divides the soul from bone;
Every thought captive, every doubt we yield,
To Christ alone, whose blood has made us known.

Spirits of heaviness, flee in Jesus’ name!
Fear, confusion, bondage—scatter to the night;
The Accuser’s voice is silenced, put to shame,
By crimson flood that turns our wrong to right.

No weapon formed shall prosper ‘gainst His own;
A thousand fall, yet plague shall not draw near;
Under His wings we dwell, no terror shown,
Our refuge firm, our fortress crystal-clear.

Come, Lord of glory, rend the final veil!
Maranatha—swift return in blazing might;
Till then we watch, we pray, we shall not fail,
Rooted in truth, arrayed in endless light. Amen.

Awake, O Wanderer, from the Death You Speak: The Tragedy of “Oh Jesus Christ” in Vain, the Grief It Brings to Divine Love, and the Call to Words of Life Eternal by Debbie Harris

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This solemn, classically rhymed poem laments the casual blasphemy of a professed Christian who flings “Oh Jesus Christ!” as an empty exclamation of frustration or surprise, thereby taking the Savior’s holy name in vain. It portrays the deep grief this irreverence inflicts upon God’s heart, the doubts it stirs in observers about the speaker’s true knowledge of the biblical God, and the ancient biblical truth that the tongue holds the power of life and death (Proverbs 18:21). Through vivid imagery and urgent exhortation, the work warns against reveling in such death-bringing words and calls the wanderer to repentance, urging a return to reverent speech that honors the divine Name and chooses blessing over ruin.

In shadowed halls where faith should gleam,
A professed believer, bold in claim,
Utters lightly the sacred Name,
Profaning what the heavens deem.

“Oh God!” he cries in jest or ire,
Not in prayer, but vain and fleet,
A careless word, a thoughtless feat,
That kindles not devotion’s fire.

Yet deeper still the wound is torn
When “Oh Jesus Christ!” escapes the lip—
In shock, in rage, in casual slip,
The Savior’s name as curse is worn.

Not whispered soft in fervent plea,
Nor lifted high in grateful song,
But flung like dust where it belongs
To no one holy, none but He.

How grievous to the Father’s ear,
That Name which angels veil their face,
Now cheapened in the marketplace
Of fleeting anger, fleeting fear!

The heart of God, so full of grace,
Is pierced anew by every sound—
A blade of irreverence profound,
That turns His mercy to disgrace.

The watchers ’round, with doubting eyes,
Behold this soul in hollow guise,
And whisper low, “Does he surmise
The God of Scripture’s truths and ties?

If he who claims the cross as shield
Can toss the Christ in vain despair,
What light within does he truly bear?
What Lord does such a tongue reveal?

” For life and death dwell in the tongue,
As ancient wisdom doth proclaim—
A spring of blessing, or of flame,
Where songs of hope or dirges sung.

To choose the phrase that mocks the Lamb,
Reveling in death’s sharp-edged art,
Is to invite the shadowed heart
To feast where ruin calls its name.

Why revel then in death’s dark art,
Choosing venom over vital breath?
To wound the soul, invite the wrath,
And chain the erring, wayward heart?

Awake, O wanderer, heed the call!
Let words be bridges, pure and true,
To lift the fallen, guide anew,
Lest in thy fall, thou drag us all.

Repent the careless cry, restore
The Name to reverence once more—
For in each breath, we choose the door
To life eternal, or no more.

Beware the Serpent’s Honeyed Tongue: Duplicity, Deception, and the Urgent Call to Test Every Spirit Against Scripture’s Revealing Light by Debbie Harris

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The poem warns of Satan’s ancient tactic of deception through twisted language and false appearances. He disguises himself as an “angel of light,” borrowing the label “Christian” while preaching a counterfeit version of the faith—one that avoids the full truth of sin, repentance, the cross, and Christ’s exclusive lordship. Using half-truths, misquoted Scripture, and appealing words, the enemy leads souls astray, presenting a softer, more acceptable “Jesus” that fits the world rather than conforms to biblical revelation.The poem urges believers to exercise vigilant discernment, just as the Bereans did, by asking pointed questions and testing every claim against God’s Word alone. Does the teaching confess Jesus Christ come in the flesh? Does it uphold salvation by grace through His atoning blood, without adding human works or excusing sin? By examining fruits and doctrine in the light of Scripture, Christians can recognize the true Christ—the risen Lamb who reigns—and stand firm against every lie. Ultimately, the poem calls readers to cling to the unchanging truth of the Bible, where victory over deception is already secured in Jesus.

The serpent speaks with honeyed tongue once more,
A velvet veil o’er venom sharp and sure;
He cloaks his lies in light the eye adores,
And bids the soul, “Believe—no need to pore
O’er Scripture’s truth in its revealing light.”

“Christian” he whispers from the crowded throng,
A name he borrows, bright and broad and bold,
Yet twists the cross to suit the world’s sweet song,
A different gospel, gleaming, bought, and sold.

Not every bearer of the sacred name
Confesses Christ in flesh come down to die;
Some preach a savior soft, without the shame
Of sin’s full weight, or hell’s unending cry.

He quotes the Scripture, line by cunning line,
But bends the meaning till the truth is lost;
Half-truths entwine like thorns around the vine—
A counterfeit, no matter what the cost.

Ask then, O soul, with Berean-like fire:
Is this the Jesus born of virgin womb?
The Word made flesh, the Lamb on Calvary’s pyre,
Who rose triumphant from the guarded tomb?

Does doctrine hold that He alone can save,
Through blood atonement, grace without a price?
Or add man’s works, or twist the narrow way,
Denying lordship, calling sin but vice?

By fruits ye know them—search the heart’s deep root;
God’s Word alone the measure, pure and bright.
Let not the angel’s glow deceive thy foot—
Test every spirit in the scriptural light.

For Satan’s guile is ancient, ever near,
But Christ the Truth shall stand when all is done;
Cling fast to Scripture, cast out doubt and fear—
The true Christ reigns, the victory is won.

May these verses and lines stir deeper hunger for God’s unchanging Word, that we might stand firm against every deception in these last days. His truth endures forever.

What Avails Earthly Fame When Heaven Knows Not Thy Name? by Debbie Harris

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The poem questions the true value of earthly fame and worldly recognition. It argues that achieving renown—through applause, laurels, trumpets, and titles—is ultimately meaningless and transient if one’s name remains unknown in heaven. Key ideas developed across the sonnet:

  • Quatrain 1: Fame may echo loudly on earth, but heaven’s records stay silent, ignoring even the most celebrated individuals.
  • Quatrain 2: Earthly honors (like the laurel crown) quickly fade, and while people may praise you, angels overlook you entirely.
  • Quatrain 3: Human reputation is fragile and illusory—like an inflated bubble or a painted shadow—destroyed in an instant by divine will, reducing all proud titles to nothing.
  • Couplet (resolution): The poet advises rejecting glory based on dust and time; instead, pursue a name written in heaven through divine love and true virtue.

In essence, the sonnet is a meditation on vanity and spiritual priority: mortal fame is hollow without eternal acknowledgment from God/heaven. It echoes biblical themes (e.g., Ecclesiastes’ “vanity of vanities”) while using classic Shakespearean imagery of transience, bubbles, shadows, and withering crowns to drive home the contrast between fleeting human praise and lasting heavenly recognition.

Mark 8:36 (KJV): For what shall it profit a man, if he shall gain the whole world, and lose his own soul?

Shall fame upon this fleeting earth aspire,
With trumpets loud and golden echoes blown,
When heaven’s scrolls lie silent to the lyre,
And know thee not, though all the world hath known?

What avails it then, to wear the laurel crown,
That withers ere the morrow’s sun be high?
The multitude may cast their praises down,
Yet angels pass thee with unseeing eye.

For mortal breath inflates the bubble name,
A painted shadow dancing on the wall;
One breath of God, and all returns to flame—
The proudest titles into nothing fall.

Then seek no glory writ in dust and time;
Let heaven learn thy name in love sublime.

No Fruit In The Life No Christ by Debbie Harris

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The poem “No Fruit in the Life, No Christ” is a concise, hard-hitting Christian piece rooted in biblical teaching, primarily John 15 (Jesus as the vine, believers as branches) and related passages like Matthew 7:16–20 (“by their fruits you shall know them”) and Galatians 5 (fruit of the Spirit).

Core Summary

At its heart, the poem declares a stark spiritual truth:
Genuine connection to Christ inevitably produces visible “fruit” in a person’s life—such as love, joy, peace, kindness, good works, holiness, and transformed character.
If there is no fruit (no evidence of this change or spiritual productivity), it reveals a lack of true abiding in Christ—no real union with Him, no saving life flowing from the Vine.

The title and central line function as a bold equation or warning:
No fruit in the life → no Christ (meaning no authentic presence or relationship with Christ).

It’s not about earning salvation through works (which would contradict grace), but about assurance and evidence: true faith bears fruit naturally, like a branch connected to the vine. Fruitlessness signals disconnection, withering, or even judgment (as in branches being “taken away” and burned in John 15:6).

Tone and Purpose

  • Confrontational and urgent — It challenges nominal or superficial Christianity, pushing self-examination: Are leaves (outward appearance) hiding barrenness?
  • Theological — Echoes Jesus’ own words about abiding to bear fruit, and the idea that apart from Him “you can do nothing” spiritually fruitful.
  • Provocative for reflection — Often used (in similar forms across Christian writings/sermons) to warn against hypocrisy, encourage deeper dependence on Christ, or call for repentance and abiding to produce fruit.

In essence, it’s a short, proverbial-style poem (or motto) that boils down a key New Testament principle into one memorable, sobering line: Spiritual life without fruit is no life in Christ at all. It serves as both a diagnostic tool for believers and a call to remain vitally connected to Jesus, the true source of all genuine fruit.

Green leaves may flutter, proud and wide,
Yet barren branches wither inside.
No fruit in the life, no Christ!
The Vine is true, but the branch must abide.

Apart from Him, we labor in vain—
Dry twigs snap in the coming flame.
But cling to the Root, drink deep of His grace,
And clusters will burst in their proper place.

Love, joy, peace—the Spirit’s sweet yield—
Proof of the union the Father has sealed.
No fruit? Then seek Him, repent, and remain;
For in Christ alone does true life remain.

A Tale of the Modern Mite: No Likes, No Shares, Just Quiet Mercy at the Counter by Debbie Harris

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Summary of “A Tale of the Modern Mite: No Likes, No Shares, Just Quiet Mercy at the Counter”This modern sonnet reimagines the biblical story of the widow’s mite (a poor woman giving her last two small coins in the temple) as an everyday act of kindness in today’s world.

  • In busy coffee shops and grocery stores, people often make generous gestures publicly—posting flashy tips, donations, or good deeds online to gain likes, shares, and attention.
  • A quiet, tired stranger notices a young mother struggling at the checkout: her card is declined, she’s counting coins for basic groceries like milk and bread, and her eyes show quiet desperation.
  • Without hesitation or fanfare, the stranger steps forward, pays for the items, and gently says, “No need to thank, just pass it on someday.”
  • No photo is taken, no story is posted online, no credit is sought—the act remains completely private.
  • While wealthy or showy givers might broadcast their “generosity” from abundance, this stranger gives something she truly can’t easily spare—money or time she needs herself.

The poem ends with the same timeless truth as the original biblical parable:
True gifts aren’t judged by how impressive or visible they are (“glittering display”), but by the real personal sacrifice behind them—the depth of what the giver gives up from the heart.In essence, it’s a gentle reminder that in our age of performative charity and social-media validation, the most meaningful acts of love are often the silent, costly ones that no one ever sees or applauds.

In bustling lines where hurried people wait,
At coffee shops or grocery checkout stands,
Some post their gifts for all the world to rate—
A flashy tip, a viral helping hand.
But one tired soul, with pockets nearly bare,
Saw a young mom count coins for milk and bread;
Her card declined, her eyes filled with despair—
The stranger stepped up, paid, and softly said,

“No need to thank, just pass it on someday.”
No photo snapped, no story shared online;
The rich might boast of grand and showy ways,
But she gave what she couldn’t spare—that time.

Gifts shine not by their glittering display—
What matters is the sacrifice they pay.

No Trumpet, No Applause: The Silent Gift of the Widow’s Mite by Debbie Harris

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The poem “No Trumpet, No Applause: The Silent Gift of the Widow” is written in the classic Shakespearean (or English) sonnet form, a structure Shakespeare popularized in his 154-sonnet sequence. This form is highly structured and disciplined, which helps give the poem its rhythmic flow, emotional buildup, and punchy conclusion—perfect for reflecting on a profound biblical moment like the widow’s mite.

Summary of the Poem: “No Trumpet, No Applause: The Silent Gift of the Widow”The poem retells the biblical story of the widow’s mite (Mark 12:41–44 / Luke 21:1–4) in simple, modern language with a Shakespearean sonnet structure.

  • In a temple, wealthy people proudly donate large sums of money, showing off their generosity with fanfare and abundance.
  • A poor widow quietly approaches and gives just two tiny coins—her last possessions, everything she has to live on.
  • Unlike the rich, whose gifts come from their surplus, her offering costs her dearly: it represents her entire livelihood and life.
  • No one notices or applauds her act; there are no trumpets or cheers.
  • The poem concludes that true giving isn’t judged by the size or flashiness of the gift, but by the real sacrifice and love behind it—the depth of what the giver gives up from the heart.

In essence, it’s a quiet celebration of humble, selfless generosity over showy wealth, highlighting that spiritual worth is measured by sacrifice, not by amount.

In the temple’s quiet corner, rich men came
And tossed their shining coins with showy pride,
Their gifts poured out like rivers, loud with fame,
Each one a boast of wealth they held inside.
Then came a widow, poor and worn with care,
Dressed in old rags, her face lined deep with pain;
Two tiny coins—her very last ones there—
She dropped them in, and gave her all again.

No trumpet sounded for her gentle act,
No crowd turned round to cheer what she had done;
The rich gave scraps from riches they had stacked,
But she gave everything—her life was gone.

Gifts shine not by their glittering display—
What matters is the sacrifice they pay.