The Inverted Tongue by Debbie Harris

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In days when words twist like serpents in the dust,
They call the darkness light, the bitter sweet with trust.
What God named sin, they crown with virtue’s name,
And hell’s grim warning fades, a relic of old shame.

They mock the cross as hate, embrace the lie as love,
Redefine the chains as wings, the prison as above.
Evil dons the robe of justice, struts in prideful glee,
While good is branded cruel, intolerant, and free no more to be.

Yet Scripture thunders still through ages long and dire:
“Woe to those who call evil good, and good evil—fire!”
Isaiah’s cry resounds, unmuted, clear, and true,
In hearts that fear the Lord, His warnings pierce anew.

They scrub “sin” from the lips, lest conscience stir and wake,
Erase “hell” from the tongue, as if the soul’s no stake.
But Christ, the Word made flesh, spoke plain and unafraid—
Of fire unquenched, of worms that never fade.

He came not to condemn, but save the lost and blind,
To bear our every curse, the judgment we designed.
On Calvary’s tree He hung, where evil seemed to win,
Yet rose in victory, conquering death and sin.

So let the world rewrite, let language bend and break,
Our anchor holds in Christ, no lie can overtake.
He calls sin sin, and hell the end of those who flee,
Yet offers grace to all who turn and bow the knee.

Return, O wanderer, before the final night,
Confess the Savior’s name, step into saving light.
For in His truth alone the twisted tongue is healed,
And every knee shall bow where mercy is revealed.

In Jesus’ holy name, the Word that stands forever—
Good remains good, evil judged, and sin forgiven only
When the heart repents and truly believes in Him,
Turns from sin, trusts the cross—then pardon is given.

(Rhymed Version)The Barometer of the Awakened Heart(Why the Sting You Feel May Be the Spirit’s Trumpet, Calling You to Stand Rather Than Shrink Before What Heaven Itself Is Already Confronting

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The poem challenges the common Christian teaching that feeling offended always signals personal pride, immaturity, or rebellion that must be quickly repented of and silenced. Instead, it argues that offense can sometimes function as a divine signal—a “trumpet” from the Holy Spirit—alerting the believer to something wrong in the spiritual environment, particularly when authority has become abusive, manipulative, or domineering under the guise of “godly submission” and “correction.”

Drawing on biblical examples (Jesus as the stumbling stone to corrupt religion, prophets whose words provoked offense to expose falsehood), the poem urges discernment rather than automatic self-blame. When “correction” demands blind compliance, punishes questions, weaponizes shame, or refuses dialogue, the resulting sting may not be a flaw in the hearer but heaven’s own confrontation with what is masquerading as righteousness.

The poem encourages believers to pause, test the fruit (restoration vs. control), weigh the spirit behind the words, and protect their God-given conscience. True godly correction is humble, open, and freeing; counterfeit correction is controlling and silencing. In such cases, the “offended” heart becomes a barometer—an awakened, watchful instrument registering misalignment—and the offense itself can be a prophetic call to stand courageously rather than shrink in false submission.

Ultimately, the poem affirms that not every offense must be forgiven into silence or buried as sin; some are holy alarms that must be allowed to ring, inviting the believer to rise, discern, and refuse to bow before what heaven itself is already confronting.

They taught us young that offense spells defeat,
A crack within the soul where pride’s deceit
Reveals itself in every wounded sigh—
“Repent,” they say, “and bow, and hush, comply.”

Yet not all barbs are born of rebel will;
Some pierce like wind that finds the window’s sill,
Not self-inflicted, but from skies above,
A trumpet blown by hands of holy love.

When “submit” is whispered as a chain,
When questions earn the brand of dark disdain,
When “you’re unteachable” becomes the rod
To silence every seeking child of God—

Then feel the sting, but do not curse your frame;
It may be heaven calling out your name.
Not pride that rises, but a watchful fire,
A signal flashing through the soul’s desire.

The Christ who walked was scandal to the proud,
A stone they struck until their voices loud
Proclaimed Him wrong, while truth stood firm and bright—
Offense was not His failing, but their night.

The prophets spoke and kingdoms shook with dread;
Their words were swords that cut through comfort’s thread.
They stirred the sleepers, broke the false accord—
Offense became the echo of the Lord.

So when the thorn sinks deep and bids you pause,
Do not rush headlong to your heart’s own flaws.
Inquire instead with trembling, honest breath:
“Is this the Lamb who leads me past my death,

Or does it press me toward a shadowed throne
Where fear, not grace, claims lordship for its own?”
Test every word by fruit that Spirit bears—
Not shame that binds, but love that frees and cares.

For true correction comes with open hand,
Restores the fallen, helps the weary stand.
It welcomes light, invites the searching mind,
And never chains the conscience God designed.

But when the voice demands you close your eyes,
When clarification meets with swift disguise,
When “rebellion” labels every honest plea—
Then heaven stirs the barometer in thee.

Rise, then, and stand where trembling hearts have knelt;
The sting you bear may be the truth you felt.
Not flaw to bury, not a sin to flee—
But trumpet sounding: “This is not from Me.”

Selah.
Let the alarm ring clear and unafraid.
Some offenses are the stand that must be made.

The Barometer of the Awakened Heart: Why the Sting You Feel May Be the Spirit’s Trumpet, Gently Yet Firmly Calling You to Stand Rather Than Shrink Before What Heaven Itself Is Already Confronting and Exposing by Debbie Harris

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The poem challenges the common Christian teaching that feeling offended always signals personal pride, immaturity, or rebellion that must be quickly repented of and silenced. Instead, it argues that offense can sometimes function as a divine signal—a “trumpet” from the Holy Spirit—alerting the believer to something wrong in the spiritual environment, particularly when authority has become abusive, manipulative, or domineering under the guise of “godly submission” and “correction.”

Drawing on biblical examples (Jesus as the stumbling stone to corrupt religion, prophets whose words provoked offense to expose falsehood), the poem urges discernment rather than automatic self-blame. When “correction” demands blind compliance, punishes questions, weaponizes shame, or refuses dialogue, the resulting sting may not be a flaw in the hearer but heaven’s own confrontation with what is masquerading as righteousness.

The poem encourages believers to pause, test the fruit (restoration vs. control), weigh the spirit behind the words, and protect their God-given conscience. True godly correction is humble, open, and freeing; counterfeit correction is controlling and silencing. In such cases, the “offended” heart becomes a barometer—an awakened, watchful instrument registering misalignment—and the offense itself can be a prophetic call to stand courageously rather than shrink in false submission.

Ultimately, the poem affirms that not every offense must be forgiven into silence or buried as sin; some are holy alarms that must be allowed to ring, inviting the believer to rise, discern, and refuse to bow before what heaven itself is already confronting.

They taught us early: offense is a mirror,
always turned inward,
a crack in your own humility,
proof of pride still breathing beneath the skin.
Bow quickly.
Silence the ache.
Call it conviction and call it good.

But sometimes the sting arrives like wind
through a broken window—
not from within,
but from without.
A trumpet disguised as thorn.

Not every wound is self-inflicted.
Not every alarm is rebellion.
Sometimes heaven borrows your startled pulse
to say: Look. This is not love wearing its true face.

When “submit” becomes a gag,
when “correctable” means “never question the method,”
when discernment is renamed defiance
and every raised eyebrow is cast as Absalom at the gate—
then offense is no longer childish.
It is prophetic.

Jesus was the Stone they tripped over,
not because He stumbled,
but because the temple floor was already crooked.
The prophets swallowed fire
and spat words that split false peace like dry wood.
They offended kings,
priests,
the comfortable crowd
who preferred anesthesia to truth.

So pause when the barb lands.
Do not rush to punish your own heart.
Ask instead:
Is this shaping me into His likeness,
or training me to disappear?

Does it carry the fragrance of restoration—
or the metallic taste of control?
Does it invite questions like a Father,
or demand agreement like a throne?

You are permitted to test the wind.
You are allowed to weigh the words
against the One who is the Word.
You may feel the tremor
and still refuse to kneel
before what heaven itself is confronting.

Discernment is not always gentle.
Sometimes it arrives dressed in offense,
a watchman’s cry in the night,
a holy refusal to let darkness
call itself light.

Selah.
Let the alarm sound.
Let the heart stay awake.
Not every offense must be forgiven into silence.
Some are invitations
to stand.

Empty Hands Raised in Victory’s Tide: Longing to Do More for My Precious Savior by Debbie Harris

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I wish I could do more, my Lord, my King,
For You who gave everything—
Your hands pierced, Your side torn wide,
To raise me up in victory’s tide.

Yet here I stand with empty hands,
A heart that burns, yet scarce began
To match the grace that set me free,
The boundless love You poured on me.

Still, in the quiet, small and true,
I offer what my soul can do:
A whispered praise at break of day,
A step of faith along Your way.

A cup of water given kind,
A listening ear, a soul aligned—
These humble threads, though frail they seem,
You weave into a greater dream.

So take my “more,” though small it be,
And multiply it, Lord, through me.
Until that day I see Your face,
And all my striving finds its place.

In Your mercy, let it be enough—
My all for You, my precious love.

For Such a Time as This: Christ’s Mighty Hand Delivers Iran Through Israel and the United States by Debbie Harris

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In the ancient lands where prophets once spoke God’s word,
Persia—now Iran—groaned under demonic chains,
A regime of darkness, veiling truth, oppressing souls,
Mocking the Creator with its iron-fisted reign.
Yet the Lord who parted seas and toppled walls of old
Has not forgotten His covenant, nor His chosen kin.
He raises up nations under God, instruments of His will,
To shatter the yoke and let the captives begin again.

Behold Israel, the apple of His eye, steadfast and true,
Guarded by the Almighty through fire and through sword.
And the United States, a beacon once lit by faith’s pure flame—
One nation under God, indivisible, trusting in the Lord.
Through His mighty power these allies have struck as one,
In righteous fury against the tyrants who defied His name.
The supreme leader falls, the clerical fortress crumbles low,
As missiles of justice rain from skies ordained by Heaven’s claim.

No mere mortal scheme, but divine orchestration clear:
The Lion of Judah roars through Israel’s valiant stand,
While America’s eagles soar on wings of providential might,
Delivering blows that echo the Lord’s redeeming hand.
The devils flee in terror, their thrones cast to the dust,
Their false paradise exposed as a pit of endless night.
For where the Spirit of Christ moves, strongholds must yield—
Liberty bursts forth in the blaze of eternal light.

O Iran, ancient cradle of the Magi who sought the King,
Your people rise now, called by the Savior’s voice so near.
The house churches multiply, prayers ascend like incense pure,
As millions turn to Jesus, casting off every fear.
The women unveil in freedom, the youth proclaim His name,
The oppressed find refuge in the arms of the Lamb who was slain.
Through Israel’s courage and America’s faithful resolve,
God has wrought deliverance—His power alone sustains.

Praise the Lord of Hosts, who humbles the proud and lifts the meek!
He uses nations under God to fulfill His holy decree.
The regime of terror lies broken, its demonic grip undone,
For Christ reigns supreme—victory belongs to Thee.
From Tehran to the mountains, let every tongue confess:
Jesus is Lord, the true Liberator, forever blessed.
Israel and America, blessed instruments in His plan,
Have seen His mighty power deliver a captive land.

Hallelujah! The dawn has broken, the chains are no more.
In Christ’s name alone, true freedom forevermore.

Steward the Mina, Multiply the Gift by Debbie Harris

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Occupy till I come.

— Luke 19:13 (KJV)

When shadows lengthen and the world doth quake,
With rumour’d signs that bid the heart to fear,
Some watch with fevered gaze, lest they should wake
Unready at the trumpet none may hear.
Yet He who hung upon the accursèd tree
And cried, ” ‘Tis finish’d!” in His dying breath,
Hath wrought complete what none could do but He—
Our pardon, peace, our victory o’er death.

No more we toil to earn what grace hath giv’n,
Nor cower ‘neath the weight of coming doom;
In Him we stand accepted, sons of heav’n,
Secure within the veil, beyond the tomb.
Thus bids the Master, ere He took His flight:
“Occupy till I come”—with labour bright.

Steward the mina, multiply the gift,
Not fearing loss, but flowing from His life;
Build, love, disciple—let thy spirit lift
The fallen, point them to the risen Christ.
No anxious vigil mars the soul set free;
The cross hath seal’d our place eternally.

Then let the tempests roar, the nations rage,
The days grow dark with portent of the end—
Our hope is blessèd, not a fearful stage,
But glory’s dawn where every tear shall mend.
Till then, abide in labour sweet and sure:
The King returns—yet we are His, secure.

In quiet trust, occupy the given field,
With joy unbound, for grace hath all reveal’d.

No More the Chain of Guilt Shall Bind: Rest Secure in Love’s Accomplished Deed by Debbie Harris

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Each morn I rise, the heart at rest profound,
No chain of doubt to bind the soul in thrall;
For Christ hath loosed me, freedom fully found,
By blood outpoured—accomplished once for all.

The faithful Witness stands, His word is true,
Though feelings shift like shadows on the sea;
He loves me now, as ever loves He you,
In present grace, unchanging, wild, and free.

No down payment was Calvary’s dark tree—
The cross a full discharge, the debt repaid;
“He has freed us,” rings the ancient decree,
The Lamb’s own blood our pardon hath displayed.

No striving now to hold what grace bestows,
No fragile peace that wavers with the day;
His finished work in crimson torrent flows,
And washes guilt forevermore away.

Let accusations old attempt their cry,
Let memory replay its shadowed art;
The blood speaks louder from the throne on high:
“Done!”—and seals the ransomed, contrite heart.

O rest, beloved, in this secure abode,
Where love endures and faithfulness abides;
The work is over, paid by sacred blood,
And peace like rivers through the spirit glides.

Shake It Off into the Flames: The Viper’s Strike as Proof of Promotion, Not Punishment by Debbie Harris

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Summary of the Core Message

When spiritual fire rises—through deeper obedience, anointing, promotion, or God’s increasing presence—hidden opposition surfaces. Like the viper in Acts 28 that struck Paul only after he fed the fire on Malta, snakes (betrayals, sudden attacks, unfounded accusations, resistance from people who once seemed neutral) were already near, just dormant in cooler seasons.

They don’t appear because you’re failing or sinning; they manifest because you’re advancing. The same heat that strengthens and refines you disturbs what once tolerated your lower walk. Exposure isn’t punishment—it’s confirmation of progress and authority.

Paul didn’t panic, lower the fire, or retreat. He shook the viper off into the flames and kept serving; the islanders watched death turn into testimony.

The exhortation:

  • Don’t dim the blaze to keep snakes comfortable.
  • Don’t mistake intensified opposition for defeat.
  • Shake it off. Let the fire consume what can’t endure it.
  • Gather more wood. Feed the flame. Keep moving forward.

You were made for this temperature. The rising heat is holy—and what strikes you only proves what lives in you.

Don’t flinch when serpents slide into the light—
they coiled in darkness, patient through the night.
Not called by your hand, nor born of your sin;
the flame just grew hotter—and woke what was in.

Paul gathered dry sticks on Malta’s cold shore,
fed the fire humbly, asked nothing more.
Heat climbed, wood cracked, and out came the foe—
a viper struck swift, but death would not grow.

The islanders stared, expecting the fall,
the swell and the stagger that comes to us all.
Yet Paul shook it off, flung it back to the blaze;
the poison hissed once, then vanished in haze.

So when friends turn foes with no cause you can trace,
when lies rise like smoke to accuse and deface,
when attacks hit harder the moment you rise—
it’s not failure arriving; it’s heat in disguise.

The snakes never vanished; they just stayed concealed
till the fire of glory made shadows revealed.
They tolerated coolness, your quieter days,
but advancement brings heat—and exposes their ways.

Don’t dim the blaze down to cradle their peace;
don’t quench what God kindles for fear of release.
Exposure’s no curse; it’s the proof you’ve advanced—
the anointing now burns where the timid once danced.

Strike came in service, not slothful delay;
fangs bite the movers, the ones on their way.
So shake off the venom, let it curl in the flame—
what rises against you just honors your name.

Gather more fuel. Feed the fire. Stand tall.
The island is watching. Let miracles call.
The heat is your forge, not your funeral pyre—
you were made for this blaze, and the blaze for the fire.

Morning’s First Hymn – A Small Bird’s Anthem to the One Who Made All Things by Debbie Harris

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The poem opens with a serene depiction of early morning: soft golden light spreading over hills as the world awakens in quiet beauty. High in the tallest tree, a small bird perches and begins to sing—not out of need or sorrow, but in pure, unburdened joy. Its clear, trembling notes rise like a hymn, praising the Creator who gave it wings, voice, and life.The bird becomes a living emblem of effortless gratitude and worship: free of worldly cares, it simply offers song to the One who made it. The speaker is moved by this tiny, radiant creature and gently longs for the same simplicity in human hearts. We, too often weighed down by worry or distraction, are invited to learn from the bird—to rise with the dawn, open our souls, and lift our own praise to our Creator with the same natural, wholehearted delight.In essence, the poem is a tender meditation on gratitude, worship, and emulation: the bird’s morning song reveals a model of how we might live—awake to beauty, unencumbered by complaint, and continually singing back to God in response to His gift of life and wonder.

In the hush of dawn, when the world lies still,
Golden light spills soft o’er the eastern hill,
A tiny bird ascends the tallest tree,
Perched on swaying bough, wild and free.

His feathers catch the rose and amber gleam,
A jewel alive in the morning’s dream,
Throat trembling wide, he pours forth his lay—
Pure notes of joy that chase the night away.

No thought of sorrow, no weight of care,
Only praise ascending through the crystal air,
A hymn to the Maker who formed his wing,
Who tuned his voice that the heavens might ring.

O may our hearts, so often bound and dim,
Learn from this creature, so small yet so brim
With gratitude’s fire, with love’s simple art—
To lift our own song with an open heart.

Let us rise like the lark in the breaking day,
And sing to our Creator, come what may,
For in every breath, in beauty’s embrace,
We find the same wonder, the same boundless grace.

If Christ Has Died for My Sin, I Cannot Trifle with the Evil That Killed My Best Friend by Debbie Harris

The poem reflects deeply on Charles Spurgeon’s quote and the image of Christ crucified. It portrays the speaker’s horrified realization that every personal sin helped drive the nails into Jesus—the “best Friend” and Savior who died in agony to redeem them. Because Christ’s death was the ultimate payment for those very sins, the speaker resolves never again to treat evil lightly, flirt with it, or indulge it. Instead, they vow to hate and reject the darkness that murdered their Lord, choosing instead to live wholly for the One who loved them to the end.

In essence:
Christ died for my sin → therefore I must hate and refuse to trifle with the sin that killed Him.

The tone is one of repentant awe, fierce gratitude, and solemn determination.

Shall I behold the cross where mercy bled,
And see my sin the nail that pierced His side?
Yet still I dally with the path He tread
To death, and call the darkness my own bride?

No—He who hung in agony for me,
My dearest Friend, my Savior, and my Lord,
Was slain by every selfish thought in me,
By every lust my wayward heart adored.

If grace so vast has paid redemption’s price,
How can I play with shadows that He slew?
Each trifling sin revives the ancient vice
That crowned Him thorns and drenched His visage through.

O let me hate what murdered such a Friend,
And live for Him whose love will never end.