Classical Rhyme:Neglect Not So Great a Salvation: The Urgent Invitation Before Time Closes and Judgment Opens by Debbie Harris

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This reflective spiritual poem, written in classical ABAB rhyme, meditates on the fragility of human life likened to a vanishing vapor (James 4:14). It portrays God’s persistent, gentle call—often a still small voice—that summons every heart to salvation, yet warns how easily that call is ignored through procrastination, distraction, or love of worldly comfort. Drawing from the rich young ruler’s sorrowful departure, the peril of gaining the world while losing one’s soul, and the biblical urgency of “now is the day of salvation” (2 Corinthians 6:2), the poem pleads against the quiet tragedy of neglect. It contrasts temporary earthly pleasures with the unshakable abundance of eternal life, emphasizing that mercy stands open today, but the door of opportunity will one day close—not from lack of God’s love, but from the end of time itself. The tone is both sobering and hopeful, urging immediate surrender to the Savior’s rescue before the fleeting breath expires and eternity’s irreversible reality begins.

Life is a mist that rises at the dawn,
A breath, a gleam, then vanishes from sight;
Yet in its fleeting span the heart is drawn
By still small voice that pierces through the night.

The call comes soft, not thunder, not with flame,
But mercy’s tug when silence wraps the soul;
Many are summoned, yet so few the same
Will yield and let the Savior make them whole.

The rich one stood before the Lord of grace,
His treasures gleaming brighter than the call;
He turned away, sorrow upon his face,
Chose fleeting gold and let redemption fall.

What profit lies in worlds of wealth and fame
If, gaining all, the soul itself is lost?
The heart grows dull, ignores the sacred name,
And silence settles where conviction crossed.

Behold, now is the day, the hour is here—
Not tomorrow’s promise, vague and far away;
Neglect is not rebellion, yet the fear
Is this: the door may close while we delay.

He knocks to rescue, not to bind or chain,
To give abundant life beyond the grave;
Eternity awaits—no end, no pain—
For those who answer, those He died to save.

O traveler, heed the whisper while you may,
Before the vapor fades into the night;
Choose heaven’s call above the world’s display—
Surrender now, and step into the light.

Not Hearers Who Forget, But Doers Who Persevere: Freedom Flowing from Finished Grace by Debbie Harris

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Do not be hearers only, swift to forget,
But doers of the word implanted deep within;
For in the gospel’s glass your true face is set—
A new creation, cleansed from every sin.

The old law bound with chains of condemnation,
Exposed the flaw but offered no release;
Yet Christ has fulfilled it—perfect liberation—
The law of liberty, granting perfect peace.

Look long into this mirror, see who you are:
Righteous in Him, beloved, fully known;
Not striving now to earn the Father’s star,
But resting in the grace that He has shown.

If you forget and walk as slaves once more,
Deceived by shadows of the former night,
But persevering, acting from His store,
You find the blessing—freedom’s pure delight.

No threat of failure haunts the child of God,
No pressure weighs upon the ransomed soul;
The doing flows from what the cross has bought—
Alive in Christ, made perfect, free, and whole.

So gaze and remember, let the truth abide,
Live from the glory already given thee;
In every step, His Spirit is your guide—
Blessed in the doing, for you’re His eternally.

Classical Rhyme: Ancient Evil Unveiled in Modern Files: All Eyes on Jesus—Victory Already Won, Hope Unshakable by Debbie Harris

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The files unfold, the shadows tear apart,
Revealing deeds that chill the trembling heart—
Childhood betrayed on altars dark and grim,
Where power and lust entwine in evil’s hymn.

Names once whispered now in daylight stand,
Cannibal rites in modern, gilded land;
Yet this is no new horror born today—
Since Eden’s fall, the serpent finds his way.

The pit within yawns wide, a sickening dread,
Isolation grips where truth has bled;
Many walked this road in silence long ago,
Bearing the weight that only faithful know.

But turn not back to despair’s encroaching night—
The Bible speaks: darkness flees from light.
Evil is real, yet mortal, doomed to fall;
Christ has conquered—He has triumphed all.

He plunged into the abyss we could not bear,
Took every wound, each cry, each tear;
On Calvary’s tree the battle raged and won,
The grave burst open—death itself undone.

So run, O soul, through trembling and through pain,
To Him who heals what evil sought to stain.
Let heaviness press low till faith arise,
Rooted in hope that pierces clouded skies.

You are not lone; prayers ascend like flame
For every heart now wakened to the shame.
Choose gospel truth o’er silence, light o’er fear—
Live holy lives while judgment draws near.

Jesus reigns still upon the throne above,
His justice sure, His mercy, boundless love.
The darkness quakes, its final word is spent—
The Light endures, eternal, innocent.

All eyes on Jesus—victory is His;
The ancient foe in ruin ever is.
Through every storm, His dawn will break anew:
Hope, peace, and truth forever shine in view.

Free Verse: Ancient Evil Unveiled in Modern Files: All Eyes on Jesus—Victory Already Won, Hope Unshakable by Debbie Harris

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The world tilts sharp when shadows break open,
files spill like blood from old, sealed wounds—
names, whispers, horrors etched in ink and image,
childhoods stolen, innocence sacrificed on altars
of power, pleasure, and something darker still.
Cannibal whispers in the margins, ancient rites
dressed in modern suits. The stomach drops,
a pit yawns wide, familiar to some who walked
this road years ago, alone in the quiet knowing.

You feel it now—the spin, the sick vertigo
of realizing evil is not rumor, not metaphor,
but flesh and breath and deliberate cruelty.
It is not new. Cain’s hand trembled first;
Molech’s fires burned long before cameras clicked.
Since the garden’s fall, the serpent coils
through every age, wearing crowns, robes, smiles.

Yet here, in the reeling, a fork appears:
despair’s black river, or the narrow path
upward to the One who saw it all before—
who descended into the abyss itself,
carried the weight of every violation,
every tear forced silent, every body broken.

He did not turn away. He entered.
And on the third day, light cracked stone.

So run, dear heart, not from the truth
but through it—toward the steady flame
that no redaction can erase, no name can dim.
Let the heaviness press you lower,
until you find the Rock beneath the quake.

You are not alone in this awakening.
Prayers rise like incense for you,
for the shaken, the grieving, the newly sighted.
Evil roars, but it is wounded, mortal.
Jesus holds the gavel, the throne, the dawn.

Choose light. Speak gospel into the dark.
Live honor where shadows once ruled.
Let faith outlast the fear, hope outshine the pit.
The battle was won on a hill far off;
the echoes now are victory’s aftershocks.

All eyes on Jesus.
The darkness trembles.
The Light remains.

🤍✝️

The Christlike Balance We Long For: Patient Mercy That Weeps for Souls, Unbending Resolve That Stands Against the Masks of Evil by Debbie Harris

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The sonnet is a prayerful aspiration to reflect God’s character in daily life. It asks for grace to embody Christ’s gentle, merciful, and patient love toward every person—tender as morning dew, compassionate like Jesus weeping at Lazarus’s tomb, kind in speech, and full of grace in action—even toward those who are lost or straying.

At the same time, it pleads for unwavering resolve: never to compromise or yield when God’s truth is challenged, tested, or attacked. The poem recognizes that evil often disguises itself in subtle, soft-spoken, or outwardly respectable forms (“a thousand cunning masks”), yet believers are called to stand firmly against every form of sin and falsehood.

The heart of the poem lies in embracing this biblical tension: deep, heart-breaking compassion for sinners as image-bearers of God, paired with uncompromising opposition to sin itself. It concludes by affirming the path of walking in God’s way—offering mercy to people while remaining unyielding toward evil’s influence.

In essence, the sonnet is both a portrait of Christlike maturity and a personal plea: “Lord, make us merciful like You toward every soul, yet holy and resolute like You against all that opposes Your truth.”

As gentle as the dew on morning grass,
Merciful as Christ who wept for Lazarus’ tomb,
Patient when our wayward hearts would pass
Through shadows, yet return to light’s own room—
So may we bear His likeness in our care,
Kind in word, grace-filled in every deed,
Extending love to all who breathe the air,
Yet never yielding where God’s truth is tried.

For evil wears a thousand cunning masks,
In whispers soft, in systems proud and bold;
We stand against it, though compassion asks
Our hearts to break for every straying soul.

In Glorious & Unceasing Crescendo Let All That Hath Breath Praise the Lord: A Sonnet of Majestic & All-Encompassing Adoration, Embracing the Trumpet’s Call, the Harp & Psaltery’s Harmony, the Timbrel & Dance’s Merry Motion, the Strings & Pipes’ Sacred Melody, & the Resounding Clash of Cymbals Both Loud & High, as Enjoined in the Culminating Verses of Psalm the Hundred & Fiftieth by Debbie Harris

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The poem is a Shakespearean sonnet that vividly reimagines Psalm 150:3–5 as an exuberant, all-encompassing call to worship. It portrays praise to God as a swelling musical and kinetic symphony in which every instrument and every form of joyful expression must participate without restraint:

  • Quatrain 1 (lines 1–4): Begins with the bold sounds of trumpet, psaltery, and harp, joined by the rhythmic beat of the timbrel and the lively motion of dance.
  • Quatrain 2 (lines 5–8): Adds strings, pipes (organs), loud cymbals, and high-sounding brass, urging every note and rhythm to break free in triumphant adoration of the Lord.
  • Quatrain 3 / Volta (lines 9–12): Declares that silence has no place; instead, winds, strings, percussion, voices, and dance unite in a grand, unending crescendo—a vast symphony of worship.
  • Couplet (lines 13–14): Concludes with the ultimate unity of purpose: let every breath and being join together to offer ceaseless praise to God, whose glory endures forever.

In essence, the sonnet transforms the Psalm’s list of instruments and actions into a single, surging wave of praise that sweeps up all creation in joyful, unrestrained devotion, culminating in the famous closing imperative of Psalm 150:6 (“Let every thing that hath breath praise the LORD”). It is both a poetic celebration of musical diversity in worship and a fervent exhortation to total, harmonious surrender in glorifying God.

In trumpet’s blaze let praise to heaven ring,
With psaltery sweet and harp’s melodious strain;
Let timbrel’s beat and dancing footsteps sing,
While strings and pipes their glad refrain maintain.
Upon loud cymbals clash the mighty sound,
And high-resounding brass in triumph roar;
Let every note and rhythm be unbound,
To hail the Lord whom all creation adore.
No silence dare restrain the joyful throng,
But winds and strings, percussion, voice, and dance
In grand crescendo lift their ceaseless song—
A symphony of worship’s vast expanse.
So let all breath and being join as one:
Praise Him whose glory never shall be done.

Grow Evermore in Grace and in the Knowledge of Our Saviour: A Sonnet of Endless Amen by Debbie Harris

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2 Peter 3:18 (KJV)
But grow in grace, and in the knowledge of our Lord and Saviour Jesus Christ. To him be glory both now and for ever. Amen.

In grace divine, let every heart expand,
A living root that drinks the heaven-sent rain,
Not static, bound by flesh’s feeble hand,
But rising, growing through both joy and pain.
Increase in knowledge of our Saviour’s face,
Whose love unveiled outshines the morning star,
To know Him more is heaven’s endless chase,
Each step a flame that draws the soul from far.

To Jesus Christ, our Lord and King alone,
Be glory poured, both in this fleeting now
And onward to eternity’s bright throne,
Where endless ages evermore shall bow.
Amen — the final word of ceaseless praise,
Our growing hearts His endless song shall raise.

When Friends Became Accusers – The Sorrowful Fall of Eliphaz, Bildad, and Zophar: From Dust and Silence to Cruel Doctrine by Debbie Harris

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Summary of the Poem
When Friends Became Accusers: From Dust and Silence to Cruel Doctrine – The Sorrowful Fall of Job’s False Counselors

The poem retells the tragic arc of Job’s three friends—Eliphaz, Bildad, and Zophar—in classical rhymed verse, focusing on their betrayal through misplaced theology rather than on Job’s own suffering or eventual restoration.

It begins with Job’s idyllic life in Uz and the sudden cascade of calamities that strip him of wealth, children, and health. The friends arrive, recognize his unrecognizable state, tear their robes, and sit with him in dust for seven days in reverent, wordless mourning—a moment the poem calls “holy” and “golden,” the purest expression of friendship.

This silence shatters when the friends begin to speak. What starts as intended comfort quickly turns into accusation: they insist Job’s afflictions must stem from hidden sin, citing retributive justice as an iron law. Eliphaz appeals to conventional wisdom, Bildad invokes ancestral tradition, and Zophar delivers the harshest, most unsparing condemnation. Their speeches cycle repeatedly, growing sharper and more dogmatic, transforming compassion into cruel judgment and friendship into theological prosecution.

Job rebukes them as “miserable comforters,” lamenting that they wound rather than heal, trading love for certainty and piling shame on his already broken body and spirit.

The poem culminates with God’s intervention from the whirlwind: He rebukes the three friends for speaking wrongly of Him, declares that Job has spoken rightly, and requires them to seek Job’s intercession through sacrifice—thus humbling them and exposing the limits of their human doctrines.

In the closing stanzas the poem draws a timeless moral: true friendship in suffering demands prolonged silence, restraint, and mercy over hasty answers or righteous explanations. The greatest betrayal is not the loss of fortune or family, but the moment friends—under the guise of piety—turn comfort into condemnation, piercing the soul with words meant to save it.

The work is both a faithful retelling of the biblical narrative and a lament for the fragility of empathy when overshadowed by rigid certainty, ending with a call to “sit long, speak little, love before you dare to lead.”

In ancient Uz, where fortune once did crown
A blameless man with wealth and children dear,
Came Eliphaz, Bildad, Zophar—three renowned
As friends who journeyed far to dry his tear.

They sat in silence seven days and nights,
Robes torn, dust heaped upon their sorrowing heads,
Compassion flowed in wordless, shared laments—
A golden hour, before the poison spread.

But silence broke; their tongues began to speak,
Not balm, but blades forged in retributive creed:
“The innocent fall not,” Eliphaz declared,
“Your hidden sins have summoned this dire need.”

Bildad pressed on with colder, sterner art,
“Your sons must sin, and justice claimed their breath;
Repent, and God will heal your broken heart—
For upright souls escape the grasp of death.”

Then Zophar, fiercest, flung his accusation bare:
“Mock not the heavens with your proud complaint!
Your guilt runs deeper than the sea’s despair—
Confess, or perish in the righteous taint.”

Cycle on cycle, speeches rose like storms,
Each charge more bitter, each rebuke more keen;
They turned compassion into cruel norms,
And friendship’s stream dried up to barren spleen.

Job cried, “Miserable comforters are ye!
You barter trust, you cast lots on my name;
Where loyalty should stand in constancy,
You wield theology to heap more shame.”

They came to bind his wounds with gentle care,
Yet pierced them deeper with dogmatic zeal—
The tragedy not only loss and prayer,
But friends who judged when love alone should heal.

For God Himself would later thunder forth,
Anger kindled at their false decree:
“You spoke not right of Me upon the earth—
My ways elude your proud simplicity.”

So let this tale in shadowed verses ring:
True friends sit long before they dare to preach;
In suffering’s vale, let mercy be the thing
That silence guards, and gentle words beseech.

For betrayal wears the mask of righteous aid,
And wounds the soul when comfort turns to blame—
Thus Job endured, by heaven’s will remade,
While friends repented in their humbled shame.

Jesus Christ, the Risen Victor, Crowned in Eternal Holy Beauty and Unconquerable Glory by Debbie Harris

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Jesus stands, the risen Victor over night,
His wounds now fountains pouring living light;
Where death once snarled, His footsteps bloom with grace—
The grave lies shattered at His sovereign face.

All heaven bows before the Lion’s gaze,
The Lamb whose glory sets the cosmos ablaze;
In Him the broken find their final dawn,
Jesus Christ crowned with beauty—victory won.

No shadow dares to linger in His sight,
His voice stills tempests, bids the dead arise;
The ancient curse dissolves beneath His might—
Creation sings anew beneath His skies.

The throne of endless ages He ascends,
Arrayed in splendor no eye can contain;
Through every realm His sovereign mercy bends,
Jesus Christ reigns—forevermore the same.

Contemporary/ Free Verse Version: In the Sin-Sick World, Write On: Christ-Centered Poets Bearing Jeweled Verses of Diamonds, Rubies, Emeralds, Malachite, Rhodochrosite—Treasured by Father, Son, and Holy Spirit by Debbie Harris

The contemporary free verse version, titled Gems in the Sin-Sick Dawn, is a concise, hopeful devotional poem that speaks directly and urgently to Christ-centered poets.

In short lines and natural, conversational flow (without rhyme or strict meter), it poses a key question: In this broken, shadow-filled “sin-sick world” where voices fade, is there still room for poets whose hearts overflow with Scripture-inspired beauty?

The answer affirms yes. Hearts brim with vivid “gems” — diamonds of uncut clarity, rubies ablaze with holy fire, emeralds echoing Eden’s promise, malachite enduring storms, rhodochrosite as tender mercy — all kinds of poetry mined from “the veins of God’s magnificent words.”

Earthly outlets remain open (pages, screens, journals like risen tombs), where the hungry find light and the weary find breath. Yet even if the world shuts doors or ignores praise, the true, unfailing audience is our blessed Trinity: Father who spoke the first verse, Son the living Word, Spirit who revives dry bones.

The poem ends with a prophetic call: Poets of the Holy Bible, arise! Write on! Offer every line upward as an unfading jewel in heaven’s courts. Darkness cannot quench this light; hope gleams eternal, words are treasured, polished, set in glory. The King listens, delighted.

Overall, it’s a raw, encouraging prophecy — immediate and intimate like spoken encouragement or testimony — celebrating persistence in faith poetry, divine delight over worldly rejection, and the enduring sparkle of biblical truth in a weary age.

In this sin-sick world,
where shadows press and voices fade,
is there still a place
for Christ-centered poets?

Hearts full of diamonds—clarity uncut,
rubies burning with holy fire,
emeralds deep as Eden’s promise,
malachite enduring through the storm,
rhodochrosite tender, rose of mercy—
gems of poetry of every kind,
mined from the veins of God’s magnificent words.

Yes—there is still a place.
The page awaits, the screen glows,
journals open their arms like open graves
now empty, risen.
Publish where the hungry seek light,
share where the weary find breath.

And even if doors bolt shut,
if the world plugs its ears to praise,
my audience remains
our blessed Trinity—
Father who spoke the first verse,
Son who is the living Word,
Spirit who breathes life into dry bones.

So poets of the Holy Bible, arise!
Write on!
Let every line be a jewel offered upward,
sparkling in the courts of heaven,
unfading, undimmed.
The darkness cannot quench this light.

Hope gleams eternal—
your words are not lost,
but treasured, polished, set in glory.
Write on, dear poet.
The King listens, delighted.