If You Are in Jesus Christ, There Is No Doubt — You Are Greatly Loved by Debbie Harris

20 Wednesday May 2026

Posted by Debbie Harris in Christ-centered poetry, Christian Poetry, Exalting Jesus Christ, Inspirational

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bible, Biblical Truth, Christian Poetry, christianity, faith, god, Inpirational, Inspirational, jesus

Dear Precious Reader,

If these words have found their way into your hands, know that they were written with you in mind. In a world that constantly questions our worth, whispers doubts, and measures us by what we do, I wanted to speak a louder, truer word over your heart: If you are in Jesus Christ, there is no doubt — you are greatly loved.This is not a love you must earn. It is not fragile. It does not waver with your feelings, your failures, or your circumstances. It is the steady, nail-scarred, resurrection-strong love of the Savior who calls you His own. My prayer is that these lines would quiet the noise, lift your eyes to Him, and let you rest — truly rest — in the assurance that you are deeply, joyfully, and eternally loved.Whether you are weary, wandering, rejoicing, or simply needing to be reminded today, hear the Father’s voice through these verses: You are Mine, and I am yours.

May His perfect love cast out every fear and fill you with unshakable peace.

With affection and prayers,
A fellow traveler in Christ

Brief Summary (Format and Form):

If You Are in Jesus Christ, There Is No Doubt — You Are Greatly Loved is a Christian poem composed in classical rhyming couplets (AA BB scheme) with a steady, hymn-like rhythm approximating iambic pentameter. The structure flows through six quatrains followed by a short closing triad, creating a gentle progression from doctrinal assurance to personal comfort and eternal hope. Each stanza maintains consistent syllable count and end-rhymes for musicality and memorability, while the overall form employs traditional poetic diction, scriptural imagery (Vine, chains, tempests, nail-scarred hands), and a clear narrative arc that builds toward peaceful resolution. The clean, balanced layout makes it ideal for devotional reading, printing, or public sharing. This format gives the poem a timeless, worshipful quality reminiscent of classic hymns and sacred verse.

Romans 8:1
There is therefore now no condemnation to them which are in Christ Jesus…

John 15:5
I am the vine, ye are the branches: He that abideth in me, and I in him, the same bringeth forth much fruit: for without me ye can do nothing.

Romans 8:38-39
For I am persuaded, that neither death, nor life, nor angels, nor principalities, nor powers, nor things present, nor things to come, Nor height, nor depth, nor any other creature, shall be able to separate us from the love of God, which is in Christ Jesus our Lord.

If you are found in Jesus Christ the Lord,
There is no doubt — you are greatly loved, adored.
Not earned by works your trembling hands have wrought,
But freely given, purchased by His blood-bought thought.

No shadow dwells where His sweet mercy shines;
No accusation breaks these holy lines.
The chains that bound you lie in rust below;
Redeemed you stand, washed whiter than the snow.

Though trials come and tempests rage and roar,
The Savior holds you — He has gone before.
Abide in Him, the true and living Vine;
His love is yours, eternally divine.

So rest, beloved, beneath His watchful eye;
Greatly loved, and loved until you die —
Then loved still more when faith is lost in sight,
Forever dwelling in unclouded light.

Cynic and Seer: One Sin, One Gift in the Light of Calvary (rhymed version ) by Debbie Harris

20 Wednesday May 2026

Posted by Debbie Harris in Christian Poetry, Christ-centered poetry, Inspirational, Exalting Jesus Christ

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Christian Poetry, christianity, god, jesus, Inspirational, bible, faith, Biblical Truth

Dear Precious Reader,

If these words have found their way into your hands, know that they were written with you in mind.In a world that grows louder with suspicion, it is easy to slip into the cynic’s chair—arms folded, heart guarded, eyes half-closed to beauty. I know this temptation well. Yet I also know the gentle, persistent voice of the Good Shepherd calling us higher: not to naive blindness, but to clear-eyed, Spirit-led discernment. Not to fear, but to wisdom rooted in the Cross.This poem is not a scolding. It is an invitation.An invitation to lay down the heavy crown of ash and disappointment.

An invitation to open your eyes again—to see the thorn and the rose, the wound and the healing, the lie and the truth—all held together in the nail-scarred hands of Jesus.

My prayer for you, dear reader, is that the Holy Spirit would stir within you the rare and beautiful gift of Christlike discernment: a heart that neither hardens nor deceives itself, but loves fiercely while seeing clearly.

May you walk this bruised world with eyes wide open to both the darkness and the Light that overcomes it.
And when cynicism whispers its familiar lies, may you remember Calvary — where even the darkest surrender can be redeemed.

You are not alone in this choice.

Grace is near.

With love and hope in Christ,
The Poet

A Note on the Form

This poem is written in rhyming couplets with a gentle, hymn-like rhythm. The consistent AABB rhyme scheme creates a musical flow that makes the contrast between cynicism and discernment easier to feel and remember. Shorter, sharper lines in the cynicism section give it a heavier, more clipped tone, while the discernment section opens into slightly longer, more graceful phrases. The final stanza acts as a quiet turning point — an invitation that lands with resolve. Biblical imagery is woven naturally throughout, allowing the poem to feel both contemporary and psalm-like. The rhyme was chosen not for ornament, but to lift the truth higher, so the heart might sing it back to itself long after reading.

One poisons the well with a knowing sneer,
Sees every rose as a weed growing near,
Every hand offered a thief in disguise,
Every dawn but a trick for the foolish eyes.
They sit on a throne built of ash and regret,
Laughing at dreamers who still dare to trust yet.
Their tongue cuts like rust, their gaze filters gold,
Missing the Lamb and His scars, brave and bold.
This is cynicism — a sin cloaked as sight,
A heart shut to grace, choosing darkness, not light.
Yet even this shadow, so cold and so grim,
Calvary’s mercy can fully redeem.

The other still walks through this same wounded earth,
But pauses to breathe in the rose’s true worth.
They see every thorn, yet inhale the scent,
As if tasting the garden the Lord first meant.
They weigh every hand with a Spirit-led care,
Not ruled by fear, but by wisdom and prayer.
They name every lie, yet love the lost soul,
Praise every truth while extending the whole.
Their gaze is a lantern, their judgment a door,
Lit by the Spirit, wide open with love evermore.
This is discernment — a gift from the throne,
The mind of Christ in our clay, fully known.

Choose, then, dear soul, which path you will take:
One closes the heart, for protection’s own sake.
The other opens eyes to the One who was slain,
Wounded for us, so our hearts might remain
Alive in His love, redeemed at the Cross —
Where cynic and sinner find gain, not just loss.

Cynic and Seer: One Sin, One Gift in the Light of Calvary (Free verse) by Debbie Harris

20 Wednesday May 2026

Posted by Debbie Harris in Christ-centered poetry, Holy Bible, Inspirational, Exalting Jesus Christ

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Christian Poetry, christianity, god, jesus, Inspirational, bible, faith, Biblical Truth

Dear Precious Reader,

This poem is not a scolding. It is an invitation.

An invitation to lay down the heavy crown of ash and disappointment. An invitation to open your eyes again—to see the thorn and the rose, the wound and the healing, the lie and the truth—all held together in the nail-scarred hands of Jesus.

Grace is near.

With love and hope in Christ,

The Poet

A Note on the Form

This poem is written in free verse, deliberately unbound by strict meter or rhyme scheme so the language can breathe with organic rhythm and quiet emotional weight. It unfolds in two mirrored sections — one for the cynic, one for the seer — creating a clear structural contrast that mirrors the heart of the message itself. Each section begins with vivid, parallel imagery (“poisons the well…”, “walks the same bruised world…”) before moving into definition and reflection, allowing the reader to feel the weight of cynicism and then the lift of discernment. Short, punchy lines alternate with longer, flowing ones to control pace: the cynic’s stanza feels heavier and more clipped, while the seer’s opens up with grace and spaciousness. The final “Choose, then” stanza serves as a quiet hinge, turning the poem from description into personal invitation. Biblical echoes and Christ-centered imagery are woven throughout without forcing traditional religious forms, letting the poem stand as both contemporary free verse and a gentle call to Christlike wisdom. The result is a form that is contemplative rather than performative — shaped not to impress, but to invite the reader deeper into their own heart before the Cross.

One poisons the well with a knowing sneer,
calls every rose a weed in disguise,
every hand extended a thief’s reach,
every dawn a trick the light plays on fools.
They sit enthroned in their own disappointment,
crowned in ash, laughing low at those
who still dare to trust the Father’s hand.
Their tongue is sharp as rust,
their eyes two slits that filter out the gold
and miss the Lamb who bears the scars.
That is cynicism—
a sin dressed as wisdom,
a heart closed to grace,
a slow surrender to the dark
that Calvary can redeem.

The other walks the same bruised world
but pauses at the rose,
turns the leaf, finds the thorn,
then still inhales the scent
as if breathing in the garden of God.
They weigh the hand before they take it—
not with fear, but with the quiet sight
that comes from abiding in the Vine.
They name the lie without hating the liar,
praise the truth with the mercy of the Cross,
seeing clearly by the light of Christ.
Their gaze is a lantern lit by the Spirit,
their judgment a door swung wide by love.
That is discernment—
a gift poured out from the throne,
the mind of Christ within the clay,
the rare art of seeing all things
as they are held in nail-scarred hands.

Choose, then.
One closes the heart to protect it from pain.
The other opens the eyes to the One
who was wounded for our transgressions—
so the heart may stay alive in Him,
redeemed at Calvary.

Feathered with Mercy, Tipped with Truth: The Complex Grace of Holy Boldness by Debbie Harris

20 Wednesday May 2026

Posted by Debbie Harris in Christ-centered poetry, Exalting Jesus Christ, Holy Bible, Inspirational

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bible, Biblical Truth, Christ Centered Devotionals, Christian Poetry, christianity, faith, god, Inspirational, jesus, Royally Redeemed

Dear Precious Reader,

I wrote this poem with trembling hands and a burning heart. In a world that so often confuses volume with courage and sharpness with strength, I felt the Spirit whisper a deeper invitation: to be bold without becoming harsh, to speak truth without wounding for the sake of wounding. This is not a rebuke of passion — far from it. It is a love letter to the narrow path where the lion and the lamb walk together. True boldness in Christ is not loud; it is clear. It is not rude; it is fearless. It is feathered with mercy so that when it flies, it pierces lies without destroying hearts. My prayer is that these words would stir something holy in you — a courage that is gentle, a fire that warms rather than consumes, and a love that refuses to stay silent. May you carry this tension well: humble enough to listen, brave enough to speak, and Christlike enough to do both at the same time. You are not called to be obnoxious for Jesus. You are called to be like Him.

With affection and hope,

The Poet

Structure Summary:

The piece follows a clean, layered structure that opens with the main title “Feathered with Mercy, Tipped with Truth” and its subtitle “The Complex Grace of Holy Boldness”. Immediately beneath the title sits a rich Scripture epigraph featuring all six KJV verses stacked one after another in italics, each followed by its reference. This scriptural foundation is then followed directly by the full poem, presented under the title and rendered in its original free-verse stanzas with natural line breaks and spacing. The overall flow moves from Title → Scripture → Poetry, creating a reverent and focused progression that feels intentional.

But speaking the truth in love, may grow up into him in all things, which is the head, even Christ:
— Ephesians 4:15

But the fruit of the Spirit is love, joy, peace, longsuffering, gentleness, goodness, faith, Meekness, temperance: against such there is no law.
— Galatians 5:22-23

Now I Paul myself beseech you by the meekness and gentleness of Christ, who in presence am base among you, but being absent am bold toward you:
— 2 Corinthians 10:1

“The wicked flee when no man pursueth: but the righteous are bold as a lion.”
— Proverbs 28:1

And now, Lord, behold their threatenings: and grant unto thy servants, that with all boldness they may speak thy word,
— Acts 4:29

For God hath not given us the spirit of fear; but of power, and of love, and of a sound mind.
— 2 Timothy 1:7

In the quiet forge where the Spirit breathes,
a flame is kindled — not wildfire, but steady gold.
Boldness in Christ rises like dawn on the sea,
not the crash of cymbals demanding to be heard,
but the clear note of a trumpet carried on wind.

It is courage clothed in kindness,
a lion’s heart wrapped in the wool of the Lamb.
Not the swagger of swords drawn too soon,
nor the noise that scatters the wounded,
but the steady gaze of love that refuses to flinch
when truth must stand naked before the crowd.

The fruit hangs heavy on one Tree:
love first, then joy, peace, patience —
gentleness holding the reins of power.
Boldness is no orphan virtue;
it walks hand-in-hand with self-control,
lest it stumble into the ditch of pride
and call its own echo “prophecy.”

How complex the dance, how narrow the blade —
to speak fire without scorching the tender reed,
to overturn tables yet wash the feet of betrayers,
to declare “Thus says the Lord”
while tears carve rivers down the same cheeks.

Obnoxious is easy; flesh loves volume,
loves the thrill of being right and loud together.
But the Spirit’s boldness is harder —
a whisper that splits mountains,
a stillness that routs armies,
a cross lifted high in the teeth of empire
without a single curse flung back.

So let us be bold, beloved,
as arrows loosed from the Archer’s hand —
feathered with mercy, tipped with truth,
straight, swift, and singing.
Aimed not to wound for wounding’s sake
but to pierce the lie and heal the heart.

For the same Spirit that made Peter roar at Pentecost
also made him weep outside the high priest’s door.
Boldness without love is brass.
Love without boldness is shadow.
Together they are Christ —
crucified, risen, and still speaking
through clay jars that tremble,
yet refuse to be silent.

Walk then in this holy tension:
humble enough to listen,
brave enough to answer,
gentle enough to be heard,
and fierce enough to be faithful.
This is the fruit —
ripened in secret,
offered in public,
sweet and sharp on the tongue of a broken world.

Not Thunder’s Roar but Gentle Rain: The True Fruit of the Spirit by Debbie Harris

20 Wednesday May 2026

Posted by Debbie Harris in Christ-centered poetry, Exalting Jesus Christ, Holy Bible, Inspirational, Pleasing God Not Man

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bible, Biblical Truth, Christian Poetry, christianity, faith, god, Inpirational, Inspirational, jesus, theology

Dear Precious Reader,

In the body of Christ—His beautiful, blood-bought Church—there should be no place for the loud, the domineering, or the unteachable. Yet how often do we encounter the boisterous know-it-all? The one whose voice drowns out every other, whose “I already know” shuts down conversation, whose pride masquerades as spiritual confidence? This grieves the Holy Spirit. The poem you have just read was born from that grief and from a longing for something better. Too many in Christendom today speak with thunder but little fruit. They claim to stand for truth while trampling the very graces that prove the truth is alive in them: love that listens, patience that makes room, gentleness that soothes, and self-control that bridles the tongue. The Scripture is clear. The fruit of the Spirit is not optional decoration—it is the natural harvest of a life yielded to God. Where arrogance grows thorns, the Spirit desires to grow holy and humble things. This poem is both a warning and an invitation: a warning against the corrupted tree of self, and a tender call to every heart (including my own) to release the braggart’s noisy chain and let the Gardener do His quiet, transforming work.

May these words stir reflection rather than accusation. May we examine ourselves. And may the Church once again be known not for its volume, but for its fruit.

With prayer and affection,
The Poet

Poem Format Summary

The poem is structured as a series of seven quatrains (four-line stanzas) followed by a closing rhyming couplet, creating a balanced, hymn-like progression that moves from observation to contrast, exposition, and final exhortation. It employs a consistent ABAB rhyme scheme throughout the quatrains, with strong, classical-sounding end rhymes that feel both timeless and accessible. The meter is predominantly iambic pentameter (approximately ten syllables per line with an unstressed-stressed rhythm), giving the piece a smooth, natural flow when read aloud while allowing subtle variations for emphasis. Modern phrasing blends seamlessly with elevated, biblical imagery, and strategic enjambment and dashes create thoughtful pauses without disrupting the overall rhythmic unity. This classical-yet-contemporary format reinforces the poem’s gentle, reflective tone—mirroring the very Fruit of the Spirit it celebrates.

Galatians 5:22-23 (KJV)

But the fruit of the Spirit is love, joy, peace, longsuffering, gentleness, goodness, faith, meekness, temperance: against such there is no law.

In ancient halls where wisdom’s voices call,
Where prophets’ words in golden letters shine,
The Spirit’s fruit descends like gentle rain—
Not thunder’s roar or pride’s unyielding line.

Behold the one who loudly claims the right,
With bossy tongue that bends all wills to break;
A know-it-all whose gaze rejects the light
Of every other, scorning what they say.

Such fruit grows thorns from self’s corrupted tree,
Refusing ears to hear another’s plea;
No love that listens, no peace that bends the knee,
But only storm where meekness ought to be.

Yet gentle Spirit whispers soft and true:
Love stands with patience where arrogance would shove;
Joy blooms in quiet hearts, not noisy show;
Peace reigns when pride makes room for others’ good.

Kindness turns the other cheek, not rules with rod;
Goodness seeks the good in every view;
Faith walks in trust, not trampling paths untrod;
Gentleness soothes where bossy tempers flew.

Self-control becomes a bridle on the tongue,
It bows to learn where “I know best” once sung.
These are the harvest heaven’s Gardener brings—
Not clamor’s crown, but humble, holy things.

O heart, release the braggart’s noisy chain,
And let the Spirit’s virtues bloom again!

The Last Shall Be First by Debbie Harris

20 Wednesday May 2026

Posted by Debbie Harris in Christ-centered poetry, Exalting Jesus Christ, Holy Bible, Inspirational, Praise

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bible, Biblical Truth, Christian Poetry, christianity, faith, god, Inpirational, Inspirational, jesus, Royally Redeemed, theology

Dear Precious Reader,

I have always been fascinated by this verse and all its depth, beauty, and complexity. The simple words “the last shall be first and the first shall be last” have echoed through centuries, quietly overturning every worldly measure of success, status, and value. In Christ’s eyes, the hidden and the humble often shine brightest, while the proud and powerful are gently set aside. This paradox comforts the overlooked and challenges the exalted — reminding us that who Heaven prizes could indeed be a surprise.It is my prayer that this poem stirs your heart to recognize the quiet glory in the “least of these,” to honor those who serve in humility (whether they have little or much), and to live with the joyful hope that heaven’s final accounting — inscrutable to human eyes — is already written in the ink of redeeming love.

May you be blessed as you read.

The Poet

Brief Summary of the Poem’s Format (in paragraph form):

This poem, titled The Last Shall Be First, is a literary lyric piece composed of 42 lines arranged in six stanzas of varying length. It is written primarily in iambic pentameter, giving each line a natural, rhythmic flow of ten syllables with five stressed beats. The overall tone is contemplative and reverent, blending vivid imagery with quiet prophetic weight.The rhyme structure follows a flexible yet consistent pattern, mostly alternating ABAB or ABCB schemes, with occasional rhyming couplets at the close of stanzas for added emphasis and emotional resonance. A sophisticated blend of perfect rhymes and subtle slant rhymes creates musicality without rigidity, allowing the poem to feel both elegant and accessible. Frequent enjambment carries thoughts smoothly from one line to the next, mirroring the gentle, unfolding nature of the poem’s central paradox.This formal structure provides a sense of order and beauty while supporting the theme’s subversive message — traditional on the surface, yet quietly transformative in spirit.

In marble halls where echoes boast of gold,
The first sit throned in silken certainty,
Their laughter sharp as coins on counting boards,
While shadows lengthen at the outer door.
They feast on futures, mortgage mercy’s name,
And measure worth by what their ledgers claim.

Yet some among the first have bowed the knee—
Rich hands that build, not hoard; hearts Christ-possessed.
They raise up schools where beggars’ children read,
Pour wealth like wine for country, church, and need.
Their mansions open wide to serve the least;
Their ledgers bleed with love’s accounting sheet.
These, too, in Christ’s own eyes are lifted high,
Though earth still calls their glory passing by.

But at the gate, where beggars bow like reeds
Before the wind of every passing heel,
The least of these—barefoot, with trembling hands—
Collect the crusts the world forgets to yield.
Their eyes are wells no ledger ever fathomed;
Their rags, the hidden glory of the real.

In Christ’s own eyes the trumpet sounds unseen—
A quiet dawn that turns the tables true.
The self-exalting first are last, their crowns
Of laurel ash beneath a heaven’s view.
While beggars rise in robes no tailor wove,
And humble rich walk streets of living gold.

The widow’s mite, the leper’s quiet plea,
The orphan’s hand, the magnate’s open store—
All these, when given for the King’s own sake,
Are first in eyes that see the heart’s true core.
No worldly trumpet, no earthly roar
Can change what Christ has weighed forevermore.

O paradox that burns the heart like fire,
That justice wears the face of those we scorned!
The least of these—dismissed, despised, denied—
Are highest where the world’s gaze never turned.
And we who pass them daily on the street
May yet discover Christ has crowned the least.

Forgiveness in Christ: The Freeing Walk(A Villanelle) by Debbie Harris

20 Wednesday May 2026

Posted by Debbie Harris in Christian Poetry

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bible, faith, forgiveness, god, jesus

Dear Precious Reader,

Forgiveness is rarely easy, yet it is the path to true freedom in Christ. These words were written as a quiet encouragement for every heart that longs to walk in the same mercy the Savior showed us on the cross. May the Lord strengthen you to choose forgiveness daily and experience the liberty that only He can give.

With prayerful hope,
A sister in Christ

Brief Note on Form:
This is a villanelle — a 19-line French poetic form built on two repeating refrains and a strict ABA rhyme scheme. The refrains (“To walk in the choice of forgiveness, this is how to be free” and “The soul that releases the debt finds its true liberty”) circle like steady footsteps on a pilgrim’s path. Their repetition mirrors the daily, disciplined choice of forgiveness itself, making the poem both musical and meditative.

Colossians 3:13 (KJV)
Forbearing one another, and forgiving one another, if any man have a quarrel against any: even as Christ forgave you, so also do ye.

Ephesians 4:32 (KJV)
And be ye kind one to another, tenderhearted, forgiving one another, even as God for Christ’s sake hath forgiven you.

Matthew 6:14 (KJV)
For if ye forgive men their trespasses, your heavenly Father will also forgive you.

Luke 23:34 (KJV)
Then said Jesus, Father, forgive them; for they know not what they do. And they parted his raiment, and

To walk in the choice of forgiveness, this is how to be free,
Clothed in the mercy that flowed from the wounds of the Tree,
The soul that releases the debt finds its true liberty.

For Christ on the cross breathed pardon for you and for me,
“Father, forgive them”—His blood writes the new decree;
To walk in the choice of forgiveness, this is how to be free.

Our tallies of wrong like old shackles refuse to agree,
Yet grace calls us higher: “As I have forgiven thee,”
The soul that releases the debt finds its true liberty.

When pride swells and memory sharpens its blade cunningly,
Look up to the Savior whose scars are the only just plea—
To walk in the choice of forgiveness, this is how to be free.

No strength of our own breaks the chains of iniquity;
His Spirit empowers the heart that was captive to see
The soul that releases the debt finds its true liberty.

So pilgrim, take courage—His yoke is gentle and free;
In union with Jesus, the bondslave of wrath is set free.
To walk in the choice of forgiveness, this is how to be free—
The soul that releases the debt finds its true liberty.

To Be Known in Heaven as God’s Poet: This, and This Alone, Is Enough for Me by Debbie Harris

20 Wednesday May 2026

Posted by Debbie Harris in Christian Poetry, Exalting Jesus Christ, Holy Bible, Inspirational

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Christian Poetry, hope, Inpirational, Inspirational, jesus-christ, salvation, worship

Dear Precious Reader,

The poem is a humble, heartfelt prayer of a poet who desires only one thing: to be known in Heaven as “God’s poet.” The speaker turns away from earthly fame and praise, recognizing that crowns corrode, fame is mist, and worldly glory fades like grass. Instead, he offers his writing as an act of worship—her ink becomes incense, her lines are “stammered psalms” and “broken pleas.” Even if her words are imperfect and “limp toward Light,”s he finds joy in the hope that angels might smile upon them. The poem closes with peaceful contentment: if Heaven sees and keeps her “clumsy love, on bended knees,” then nothing else matters.

Core Theme: True fulfillment lies not in human applause but in sincere, devoted offering to God.

May this poem bring our Triune God honor and glory.

To be known in Heaven as God’s poet,
this is enough for me—
not laureled on earth where crowns corrode,
nor praised where praises flee.
Let ink be my incense, rising slow,
a stammered psalm, a broken plea;
words borrowed from the wind and woe,
returned like sparrows to the Tree.
If only angels pause to smile
at lines that limped toward Light,
then let the ages pass me by—
I’ll sleep content beneath the night.
For fame is mist, and glory grass,
but Heaven keeps what Heaven sees:
a soul that dared to sing, alas,
in clumsy love, on bended knees.
To be known in Heaven as God’s poet—
this, and nothing more, for me.